Deep Focus

Justin Sayre

Photo By: Matthew Dean Stewart

In our new column Deep Focus, TrunkSpace is going behind the camera to talk with the directors, writers, and producers who infuse our world with that perennial pop culture goodness that we can’t get enough of.

This time out we’re chatting with Justin Sayre, creator and star of the new stage show, “I’m Gorgeous Inside,” which premieres tonight at Joe’s Pub at the Public Theater in New York. We recently sat down with Sayre to discuss how lonely real estate served as the catalyst for the show, how much he likes to put out fires on stage, and why he’s ready to tell any bad girl’s story.

TrunkSpace: Your show “The Meeting” ran for eight seasons. With bands and songwriters, you hear a lot of them talk about how they keep songs “fresh” while they’re touring with the same material for extend periods of time. How does that work for you on a show?
Sayre: It was a different show every month, so it was always new material. It was always a different icon, and it was always different guests. There was always a lot of room for experimentation, and a lot of, “How do we want to do this this month? Here are our parameters, and how do we play within that?”

Getting to meet these great downtown artists, and people from Broadway, and other people making interesting work in New York, inspired me certainly to push myself further, and to push the show in different directions. Being a show that was inherently political, there was always new fodder to make it work. But it always came back to this idea about community, and bringing people together, and really creating space for a community to form. Not just around the show, but in the world.

That became just an overwhelming part of the show. I built a different kind of repartee with an audience, then I would have otherwise. It didn’t ever feel stale, it just felt like we’ve done this now. It was time to start a new adventure. I also really wanted to step out on my own a little bit, and create something that wasn’t so driven by politics. Even though I think a lot of my work is political, I wanted to make something that was more… just about my ideas and things like that, rather than constantly in response to what was happening.

TrunkSpace: So what was the origin story of “I’m Gorgeous Inside?” Where did it all begin?
Sayre: I worked on “2 Broke Girls” in LA. When I would drive to work, there was this real estate sign on a house that said, “I’m gorgeous inside,” and I thought, you’ve got to be at a pretty low point when you have to tell people, “No, wait a minute. I may look like hell outside, but inside, oh my God, I got all my original floors. I got everything!” (Laughter) I always thought it was a really funny title, so when we came up with the show, I was like, “I want to do that as the show, ‘I’m Gorgeous Inside’.”

When I was talking about things that I was really interested in, it was the tough girl archetype, this bad girl archetype that so many gay men are interested in, and think about, and emulate in their ways. But really, getting past that and talking about what that meant to them in a concrete way, rather than just an abstraction or some kind of hyperbole that makes fun of those women. I’m not interested in that. I’m interested in what was the core, igniting spark that made you look at Rizzo in “Grease” or some Bette Davis movie, and you’re like, “I gotta go with her!” I think it’s because they’re characters who are generally not given enough, but demand more. They are shortchanged, but they don’t take it. I think for a lot of queer people, that means something. Seeing somebody who is told by the world “no” and continues to demand a “yes” is really empowering. Once that kind of percolated in my head, the idea of “I’m Gorgeous Inside” kind of happened. Then it really just kind of flew from there.

TrunkSpace: And what’s great about the title is that it really does have multiple meanings. It’s that funny origin story, but also, it’s about self-acceptance.
Sayre: Oh absolutely. Absolutely. It sounds very highfalutin, and it sounds like it’s gonna be some therapy session, but it’s really just a bunch of jokes. It’s gonna be fine. (Laughter)

TrunkSpace: What emotions are you going through as you build up towards opening night?
Sayre: I think I’ve been told I have a lot of unnecessary fear. I think that’s fair to say, because I know myself well enough at this point that once I get out there, I’m going to be fine. I’m going to know how to put out the fires, even if I start them. (Laughter) I think right now it’s just like, “Oh wow, we’re really going to do this thing. We’re going to take it to this place. My work is going to go now in yet another direction.”

There’s trepidation about it, but there’s also an excitement, because one of the things that I’ve learned, after having done “The Meeting” for so long, is that I love kind of creating problems on stage, and solving them – this mentality of you know you can do it. You know you can be with an audience, and you can take them places. I feel very lucky that such a large group of people trust me, and have continued to do that. Once I concentrate on that, the other stuff really goes away.

TrunkSpace: And in a way, you kind of open the door for putting out fires because there’s audience interaction, right?
Sayre: Oh, always. Always, and one thing that were doing in this show, which I’m so excited about, is when I used to drink, I never had any money. I would have little contests with my friends, and see if they would buy me a drink. One of the contests was, they would give me a girl’s name, I would tell their whole life story in 10 minutes. It would have a beginning, middle, and end. It would be really specific, and if I could do it, and do it well, they would buy me a drink. In this show, I’m having Jenn Harris, who is a wonderful actress, come dressed as a different bad girl of her choosing each night, without me having seen her. She comes out on stage, and I, in front of an audience, will tell her life story for 10 minutes. We’re gonna play this game. We’re gonna see how it works. Jenn is super excited, because she gets to be crazy, and do whatever she wants. I’m really excited because not only is it working with Jenn, but it’s kind of keeping that spirit alive of, “All right, go! Make up a story! Do it!”

TrunkSpace: You’ve written for television. You’ve written for stage. You’re a published author. What would you like to tackle with the written word next?
Sayre: I just finished a new play, so I’d really like that to have a premiere in New York. I’m very excited about that. I’ve written a film over the summer. We’re shopping that around this fall. I’m working on two pilots right now. There’s lots of work, but I think really in the future, it’s figuring out how to integrate it all together in some weird amalgam. So it is film, and it is television, but I came up in the theater, and I came up in the downtown scene, so it’s making art that still reflects that worldview. I don’t want to give that up, because I think now more so than ever it’s necessary. I came up with people who told me, “Don’t ever worry about being mainstream. Just make the shit you want to make.” Now everyone is pushing to say, “How do we go mainstream? How do we go viral? How do we get everybody involved?” What ends up happening is, a lot of things get homogenized because of that. I think there has gotta be a place for the outliers. There is still gotta be a place for the renegades.

For more information on “I’m Gorgeous Inside” or to purchase tickets, click here.

Featured image by: Matthew Dean Stewart

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