The Haves and Have Nots

Portraying Kimberly Guilfoyle in the recently-released film Bombshell came with its share of professional pressures, but for actress Bree Condon, taking on such a controversial public persona in these politically divided times was not one of them.

“It’s true, Kimberly and I have very different political and personal views, but that’s the challenge of playing any character,” she said in an exclusive interview with TrunkSpace. “It’s almost like you’re that person’s lawyer and you have to defend them – you have to justify their actions and way of thinking for yourself.”

We recently sat down with Condon to discuss stepping into Kimberly’s spotlight, accepting the complexities of the human condition, and why she still follows the advice of an old classroom poster.

TrunkSpace: Bombshell is such a big project and is stacked with talent both in front of the camera and behind it. When a project like this comes along, does it have the feeling of a “once in a lifetime” opportunity and how do you personally manage expectations going into a project of this magnitude?
Condon: It definitely has that ‘pinch me’ feeling all the way through! I always try with every project to really enjoy every step along the way and to be in that moment as much as possible. Especially with this project, I loved each stage in the process of building this character – the research, costume fittings, the hair and makeup tests, and then of course getting to collaborate with so many greats in front and behind the camera!

TrunkSpace: In the film you’re playing someone who is not only a real person, but someone who is still very much in the public spotlight today. Does that come with an entirely different set of pressures, both external and those that you place on yourself?
Condon: Yes, it does add pressure, especially because this was a first for me playing a real person. I approached it like I do any other character, and dove into the research. The benefit of playing a real person who is so heavily in the spotlight is that there was a lot of information to dive into. Kimberly has also written a book, which I read multiple times and held as my ‘bible’. It was extremely helpful to have that, which is so rare!

TrunkSpace: We live in very politically-divided times. Did you worry how this project and your performance in it would be perceived by the general public on both sides of the aisle and how that could trickle over into your personal life, particularly as it relates to the internet/social media?
Condon: It’s true, Kimberly and I have very different political and personal views, but that’s the challenge of playing any character. It’s almost like you’re that person’s lawyer and you have to defend them – you have to justify their actions and way of thinking for yourself. When I decided to be an actor, it wasn’t to play characters like myself. I would actually prefer roles as far from myself as possible! I take it as a welcomed opportunity to step into someone else’s shoes.

TrunkSpace: As we discussed, you’re working with amazing talent on screen and behind the camera. What do you try to absorb from those around you on a job like this and then apply it to your career moving forward?
Condon: There was so much talent to absorb and to learn from! One overall quality that I took away from the project was specificity. The attention to detail that every single person, in front the camera and behind, had on this film was amazing to see and learn from.

TrunkSpace: For fans, the final product of a film or series is always the most memorable part, but for those involved in a project, we’d imagine it goes much deeper than that. For you, what is something about your time working on Bombshell that you’ll carry with you through the course of your life/career?
Condon: Working with Charlize Theron on this project was the highlight and something that I will always carry with me. The first day I was on set I saw her acting all day and the moment she was done, she went back to the trailer, took off all her incredible hair and makeup, and came right back to set and stepped into her role as producer. It was incredible to see that firsthand – she wore so many shoes and did it all so gracefully.

TrunkSpace: You’re portraying Kimberly Guilfoyle in Bombshell. If in the future someone was playing you on film, what would you hope they would take into account as they gave their perspective on your journey?
Condon: I would hope they would realize that nothing is ever as it seems. In our current society, we are inundated with so many visuals that rarely show the truth. As humans, we are extremely complex and I hope they would try to lift up the hood and see what’s really in there.

TrunkSpace: Where are you hardest on yourself as artist and how do you overcome those self-critical insecurities?
Condon: I’d say self-doubt and not trusting my instincts enough. In a lot of areas in my life, not just acting… but maybe that’s because I’m a typical Pisces!

TrunkSpace: If you sat down with your 10-year-old self and gave her a glimpse of her future, would she be surprised by where her journey has taken her thus far?
Condon: I’m sure she would be surprised! It’s crazy the different paths we take in life and how everything can fall into place. But in some ways my life is still very similar to that little girl – I’m very close to my family and I still have the same friends I grew up with since grade school, which I count myself very lucky and fortunate to have that stability and love throughout the years.

TrunkSpace: What has been the highlight of your career as a whole thus far?
Condon: Bombshell has been a huge highlight for me. Getting to be part of telling a story that is so timely and that will really make a difference moving forward in regard to sexual harassment is so rewarding. It’s why I wanted to become an actor – to tell stories that make a difference.

TrunkSpace: Time machine question. If you could jump ahead 10 years and get a glimpse of what your career looks like a decade from now, would you take that journey? If not, why?
Condon: As tempting as it sounds… I really wouldn’t! As cheesy as it sounds, it’s a journey not a race… I think that was a poster hanging in my 6^th grade classroom! But it has stuck with me. It all makes you stronger and you just have to ride the wave, and that’s what I intend to do!

It was recently announced that, in the near future, the world will be getting more “Future Man.” With a second season of the whacky time traveling series now on the horizon, we decided to revisit the Hulu comedy, and in doing so, make the show’s card carrying bro our very own wingman.

Kevin Caliber, a United States Marine Corps veteran who is also a fitness model and stuntman, stars in the series as Blaze, the 80s BFF of Derek Wilson’s Wolf. (Check out our interview with Wilson here.)

We recently sat down with Caliber to discuss his unexpected journey with the character, menacing neon outfits, and why fans would be lining up for an 80s style Wolf and Blaze sitcom.

TrunkSpace: “Future Man” is an extremely unique show that strikes a unique tone. Was it also unique for you in terms of the experience?
Caliber: Yeah. It’s one of those projects that as you read the script, you had no idea where it was going. Not to say that with every show you could tell that, but a lot of the times, whenever you read scripts, you kind of have an idea of where it’s going. You have an idea of the character developments. “Future Man” was one of those that, as you read it and as it goes along, they take it to places that you didn’t expect because they’re going to the far reaches of their imagination to get there.

TrunkSpace: And comedy must be so hard to read on the page, too, because unless you’re in the room with the creative team, it’s difficult to fully absorb tone, right?
Caliber: Absolutely. It was not until the first day on set because for me, I did episode 9 without doing a table read. They brought me right onto the set and I had no idea exactly what they were going for. In the script it says something like, “Oh, a couple of menacing guys come up,” and then we see the outfits that we’re wearing. It’s hard to be intimidating wearing shorty short hot pink shorts. (Laughter)

TrunkSpace: Well, menacing in the 80s, right? (Laughter)
Caliber: (Laughter) Right. 80s tough guys.

Whenever I came back for the next episode, I went in for the table read, and that was the first time that we really get the chemistry of everybody saying it aloud, and you get the tone of the story as a whole, and now you’re kind of seeing where it’s going. So you see where the comedy is, and then even between the table read and whenever it does come to shooting it a couple weeks later, the script has changed because, obviously, they make changes all the way up until being on set. And they were such a funny comedy team to work with, that they would come to me between takes and give me different things to say. You would hear a laugh come from off-camera and I’d go, “Okay, I guess that was a good one.”

You’re always curious to see what they’re going to use because I’ve improvised before on sets, but that one, it wasn’t so much me improv’ing but them kind of improv’ing what I was doing and then making it up on the spot. I’ve never had a chance to work with a group like that.

TrunkSpace: In comedy, sometimes working on the fly is where the best material comes from because it’s a springboard for instantaneous laughter, which signals if something is working or not.
Caliber: Absolutely, and as long as you don’t fall victim to strictly trying to make the people in the room laugh… that’s when you kind of can get meta, and now you’re just trying to make each other laugh as opposed to what will translate.

I hear about some of these methods of the editing process that they go through with these tests (screenings) and then they show you the same movie or the same scene eight different ways because they filmed it every which way, just to see how crowds react to it. Well, what’s making the people in LA laugh doesn’t necessarily make…

I’m from Missouri so I go back to Missouri and I’m cracking jokes and people have no idea what I’m talking about because I’m speaking in LA language.

TrunkSpace: You have to go back to Missouri in your menacing “Future Man” outfit. (Laughter)
Caliber: (Laughter) Yeah, that will really throw everybody off.

I was an athlete and a little bit of tough guy growing up – just a good ol’ boy from Missouri, and then I joined the Marine Corps. I was just a down and dirty type of guy. Now some of the stuff that people see me in, and how I end up getting dressed, they’re like, “Whoa, when did you become such a little pretty boy?” And I’m like, “No, I’m still the same guy!” (Laughter)

TrunkSpace: So when Blaze first came into your life, did you know he would be a recurring character or did that sort of grow as the episodes went on?
Caliber: I did not know. Originally I thought it was a standalone from just that one episode. Even going into the audition, it was strictly as a day player, and then getting on set and working and then getting to know the writers… Kyle (Hunter) and Ariel (Shaffir) were there every day… I got the call again and then again. They were like, “I want to add you to this, can you do that?” I was on set, sitting behind the producers’ row, and one of the producers turns around and gives me a look. He says, “Hey, you got one more episode?” I was like, “Of course! I’m here for you! Add me to every one. I love this!”

TrunkSpace: What’s cool about that is that Blaze probably wasn’t defined as a character when you first read for him, but he grew into his own as you were working on him.
Caliber: Absolutely, and it wasn’t until I got the script for the “Beyond the TruffleDome” episode that you actually really get to know Blaze. And as I’m reading it – I was sitting on my couch with my girlfriend reading it – and I’m really excited. And then, spoiler alert here, as I’m reading it, I’m like “Oh my God, I’m a prostitute!” (Laughter) “Oh my God, I’m a drug addict!” (Laughter) “Oh my God, I can’t read!” (Laughter) “Oh my God, I’m homeless!” (Laughter)

It was just taking it to the next level, and that’s what made me laugh so much. Whenever I told anybody about it I was like, “It’s the 80s and we end up becoming coke heads because that’s what the 80s were,” and people would be like, “Aw, man, so they must have made you up to really look bad and really strung out?” And I’m like, “Oh no, they made me look gorgeous!” (Laughter) I’m like this prostitute druggie, but I’m still rocking supermodel status.

TrunkSpace: You kept it together. That’s what they did in the 80s!
Caliber: (Laughter) Yeah, exactly. I was Wall Street!

TrunkSpace: The 1980s was the era of the sitcom, and after watching Blaze and Wolf together, all we could think of was that a spinoff sitcom needs to happen!
Caliber: Oh my God! I can’t help but go down that rabbit hole every now and again. Whenever I get tagged in something on social media, on Reddit, on Twitter and Instagram, anytime that something is posted, that seems to be a recurring thing that sticks out to me. Every time I get the, “We need more of this! You glazed over it too quick! What happened in those years?”

I love all of the characters. Josh (Hutcherson) did an amazing job carrying the show. He was so fun and he was one of those guys that just laughed about everything along the way. He still couldn’t believe what they were having him do, and he was one of the producers on it, but you can tell he was all-in. And then of course, with Tiger and Wolf just killing it. But the consensus seems to be that everybody really loves Wolf, and I’m so happy for Derek. He was such a good sport. Such a cool guy. He brought it. He really brought that character to life in a way that was so unique and fun while still being… his innocence. He played it so well. I’m really happy that Wolf was the one that really kind of stood out to so many people.

TrunkSpace: Well, and Wolf couldn’t be Wolf without having a bro in his life like Blaze. Safe to say that everybody needs a bro like Blaze in their lives?
Caliber: Oh, absolutely!

Catch up on season 1 of “Future Man” on Hulu and look for season 2 later this year.