Lisa Ovies

Chilling Out


Simon with Lisa Ovies

Jason had his hockey mask. Freddy had his glove. Simon has… his huggable, squeezable, loveable plush body, which he will use to lull you into a false sense of security before horrifically murdering you.

Yes, not only do we live in a world where we have to worry about deadly flu outbreaks, erratic weather, and an endless run of New England Patriots’ Super Bowls, but now we have inanimate felt killers to fear, at least according to the exciting new horror/comedy mashup from Lisa Ovies, “Puppet Killer.”

With the film set to hit the festival circuit throughout 2018, we recently sat down with felt-based star Simon to discuss whether or not puppets receive the same treatment as human actors within the industry, how he found his artistic motivation, and his personal goals as a puppet working in film.

TrunkSpace: Your new movie “Puppet Killer” features, pun intended, a killer cast. In 2018, does a felt-based actor receive the same equal treatment as flesh-based actors on the set of a film like this?
Simon: No, and I think it was bullshit! I was NEVER invited to eat with the rest of the cast or to hang out in their green room. I didn’t get my own chair… I was left alone every night in the props room. It was as if I was an actual puppet instead of an actor playing a puppet. I did get a really awesome handler though, I am grateful for that. Her name was Asia and we hung out a ton on set. It was almost as if everyone else was scared of me…

TrunkSpace: Can you give us a little insight into how you became involved in “Puppet Killer.” Was the part created for you? Were you created for the part?
Simon: I believe I was created for the part although I can’t see the film being anything without me. My mom and my dad (Jack Fox) met working on another puppet movie and spent about a year deciding exactly what I looked like. Personally, I think they nailed it.

TrunkSpace: This may be a bit too personal, and feel free not to answer if we are venturing too far down the Oprah rabbit hole, but do you still have an active relationship with your maker/designer?
Simon: YES! I live with Mom and spend time with Dad when I can. Mom is pretty good about taking me to meet fans and to attend conventions. She even took me to LA and Vegas to meet Jessica Cameron. SHE IS SO PRETTY! I was a guest on her show “Scream Queen Stream” with her bestie Heather Dorff and it was one of the best days of my life. They even let me drink!

TrunkSpace: For those who aren’t familiar with “Puppet Killer,” can you give us a little bit about your character and where the journey takes you throughout the course of the film?
Simon: Well, the story is really about the friendship between me and my onscreen/offscreen bestie Aleks Paunovic. His character grows up and starts to think he doesn’t need me anymore but I remind him that he and I should be together forever. Other than all the killing, it is a really heartfelt story about a boy and his best friend.

TrunkSpace: From a performance standpoint, you have to go to some pretty dark places in the film. What did you tap into internally/emotionally to bring yourself there?
Simon: I just let it sink in. You know, Aleks thinking he doesn’t need me anymore and what I would do. It was really easy once I realized it was them or me. I really enjoyed the experience.

TrunkSpace: From what we can tell, this is your first acting gig. What lessons did you take from the experience that you’ll apply to your career moving forward?
Simon: I realized as long as I am the star, I want to be in movies. I liked working with the crazy talented cast and really hope to work with Richard Harmon on “The 100” one day. He and I really hit it off so I really think it is only a matter of time.

TrunkSpace: Is there any concern at all that you’ll be typecast as a homicidal puppet moving forward? Did you put any thought into that when you accepted the role?
Simon: I don’t think it is a problem as I expect “Puppet Killer” to be a franchise that I can milk for quite awhile. It didn’t affect Chucky so I think I will be okay.

TrunkSpace: When you look back at the film, what are you most proud of in terms of your own individual performance?
Simon: The fact that I held my own amongst such talent. The cast is so good and I was really intimidated at first. I kept worrying I would fan boy or get nervous. I actually did a few times, especially when I had a bedroom scene with Lisa Durupt… she is so pretty and good at what she does, that was a nerve racking day but we were both really professional and held nothing back.

TrunkSpace: We know that you’re Canadian. In your opinion, do Canadian puppets have the same amount/quality of opportunities as those based in the States?
Simon: Given tax credits right now and how busy the Vancouver film community is, I think it is a great time to be a Canadian in film.

TrunkSpace: What do you think some of the biggest misconceptions are regarding felt-based actors?
Simon: That we are only puppets. We are actors, we are committed and we want to be included. Aleks and I hang out a lot and we just talk like people – he never makes me feel like “just a puppet,” but not everyone is so great. My agent puts me out for everything and I really appreciate it. My goal is to play a character without it being a part of the story, a character that just happens to be a puppet.

TrunkSpace: You’re active on social media. It’s a great place to promote projects and stay connected with family and friends, but it can also be a very septic place filled with hate. What are your thoughts on our social media society as a whole?
Simon: Sometimes it is a ton of fun, other times really intense. I pick and choose my moments and hope people start to understand the impact of social media and their responsibility. Be kind, people. There are already enough dicks out there, don’t be another one.

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Chilling Out

Lisa Ovies


Jason had his hockey mask. Freddy had his glove. Simon has… his huggable, squeezable, loveable plush body, which he will use to lull you into a false sense of security before horrifically murdering you.

Yes, not only do we live in a world where we have to worry about deadly flu outbreaks, erratic weather, and an endless run of New England Patriots’ Super Bowls, but now we have inanimate felt killers to fear, at least according to the exciting new horror/comedy mashup from Lisa Ovies, “Puppet Killer.”

With the film set to hit the festival circuit throughout 2018, we recently sat down with the mastermind (and producer/director) Ovies to discuss how the core concept for “Puppet Killer” first came to her, discovering the right tone, and where Simon is right now.

TrunkSpace: The idea for “Puppet Killer” first struck you after watching a parade with singing puppets. What was it about taking that concept – a kid-friendly character made of felt – and turning him evil that interested you?
Ovies: I was actually producing a really great short called “Bedbugs: A Musical Love Story” at the same time that I was casting a horror film. I remember sitting on the stairs watching a musical number and thinking, “What would I do if I was in charge?” And the answer was, I would kill everyone. I would kill everyone with a puppet. I guess it was the product of living in both worlds at the same time.

TrunkSpace: Independent productions can often take a long time to come into fruition. How long has the “Puppet Killer” journey been from that spark of an idea to where you are today with the finished film?
Ovies: I think about three years? The film itself isn’t actually quite finished. We are happily chugging through post production with an amazing team.

TrunkSpace: Horror/comedy hybrids can sometimes be a challenge for filmmakers in terms of finding the right balance between the two genres. How much energy went into establishing the tone of the film, and when you started out, were there any projects that came before “Puppet Killer” that you wanted to emulate tone-wise?
Ovies: Yes, it is a really fine line to skate between a genuine comedic slasher, and a parody. We worked really hard to play the drama throughout and it was the actors’ fantastic ability to accept the circumstances and to play opposite Simon in a very truthful and honest manner. That was pretty much my biggest focus throughout and I am very grateful the actors trusted me in it. When we talked about it leading up to filming, I would reference “Evil Dead 2,” “Shaun of the Dead” and “Dead Alive.” I think we did a great job finding that energy in the film.

TrunkSpace: In watching the trailer, the film has the feeling of a classic 80s slasher flick – “Friday the 13th” meets super trippy “Pinwheel.” Did that decade of slasher greatness inspire any aspects of “Puppet Killer” or you personally as a filmmaker?
Ovies: A huge yes to both. I love 80s slasher horror films and it is very evident in “Puppet Killer.” It pays homage to all the greats, from “Nightmare on Elm Street,” “Halloween,” and “Friday the 13th.” The main character is raised by a mother (played by myself) who is obsessed with 80s horror and as a result, Aleks Paunovic’s character and Simon are as well.

TrunkSpace: You pulled together a great cast and crew to bring “Puppet Killer” to life. Many of those working on the film have been involved with projects that have amassed huge fanboy/fangirl followings, including “Supernatural,” “The 100,” and “Van Helsing.” From a business perspective, is that the audience that you’re targeting with your film, the Comic Con crowd, because this seems like something they could get behind?
Ovies: I think they are a part of our audience for sure and I know they will love seeing their favorite actors in such a different light, but we definitely made this film as an homage to 80s horror. As a result, die hard horror fans are going to love uncovering the Easter eggs and subtext within the film.

TrunkSpace: You wore many hats throughout the “Puppet Killer” development and production process. Do you enjoy taking on many different roles, or in a best-case-scenario world would you have preferred focusing on the directing alone?
Ovies: I love being creative and I love producing but at the end of the day, I think I will always be my best self when I am able to focus on one job. The next two features I am slated to direct I am only wearing the one hat and I am really excited. However, I always cameo in anything I direct so I expect you will see me pop up in them as well.

TrunkSpace: When it comes to filmmaking in general, do you see yourself as someone with a creative focus on genre projects or do you have an interest in throwing your director’s hat into the every-genre ring?
Ovies: I would love to challenge myself in different genres for sure. I really want to do a big budget action movie like “X-Men” or “Star Wars,” but at the end of the day practical effects and horror will always have my heart.

TrunkSpace: What has been the most difficult aspect of bringing your “Puppet Killer” vision into reality? What kept you up at night?
Ovies: Sadly the answer is just money. We want to keep this film ours and not lose creative control by bringing in other money, so the self-funding has been a tad stressful. We have an amazing group of executive producers that have supported us and we are truly grateful. We are trying to keep the quality really high while keeping the costs low. Our problems are certainly not unique in the independent world of film.

TrunkSpace: Was putting the final stamp on your vision a difficult thing to do? When you’re invested so much in a project, is it stressful to officially call it “done” and send it out into the world?
Ovies: I have made several films before “Puppet Killer” and that is a great question. Part of you feels relieved and so excited to share it with the world but then there is another side that will never be 100 percent done. You can always make it better or make different choices, so at one point, you need to trust yourself and your team and call it done. “Puppet Killer” is close to that stage but still has some pieces that we need to have fall in line before we get to call it done.

TrunkSpace: You’re taking “Puppet Killer” to festivals throughout 2018. Is it nerve-racking for you to sit in on a screening of a project that you had such a big hand in both creatively and on the production side of things? Do you look forward to seeing the instant reaction of audiences?
Ovies: I always worry about audience reaction but I LOVE sitting through the emotional journey with them. The first screening is the hardest… there are moments that you hold your breath and hope they get the joke, or that the jump scare will work – the gore will affect them. It is a crazy experience and every audience is different.

TrunkSpace: Finally, where is Simon right now?
Ovies: Well, as I type this, I am on a plane to LA so he is not with me. He is at home with my partner and puppies. He has lived with me since we wrapped and I love it.

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