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Samantha Fish

Photo By: Kaelan Barowsky

Artist: Samantha Fish

Latest Album: Kill Or Be Kind

Label: Rounder Records

TrunkSpace: “Kill Or Be Kind” dropped on September 20. As you gear up to release new music into the world – and ultimately relinquish control over it – how do you prepare? Is it easy to let the universe have the art you have created or can it be difficult to say goodbye to it?
Fish: Once I finish an album and it’s out, it’s not really mine anymore. I honestly welcome it. It’s something you work so hard on, it’s nice to let the world receive it. Once it’s out, I can start being creative, and the process begins again. The live show is a good way to adjust things and expand upon the music. If you ever feel restless about how a song turned out, the stage is the place to work it out.

TrunkSpace: This is your sixth solo album. As you look back, is each one a bit like a chapter of your life, and if so, what does “Kill Or Be Kind” say about your current chapter?
Fish: This album signifies change in my life. Saying goodbye but also new beginnings. I feel that even on some of the more melancholy songs, there is this sense of empowerment and change.

TrunkSpace: No one knows your music better than you do. With that said, where do you hear the biggest differences between the songs present on your debut and where you are today as a songwriter with “Kill Or Be Kind?”
Fish: I feel like I’m more confident today. I’m a little braver. I’m not scared to write about difficult topics, where I think early on, I played it somewhat safe. When you allow yourself to lose the filter, you can become a better artist.

TrunkSpace: If someone unfamiliar with your music sat down and listened to “Kill Or Be Kind” front to back, what would they learn about you as an artist and person?
Fish: What a loaded question! I’m not sure. Maybe that I have a terrible love life. (Laughter) That’s the cool thing about being a songwriter, you live in it, but you also get to be a story teller. I do sing from my heart, so all I care about is that they feel it. Back to the first question, once it’s out in the world, it ceases to be about me. It’s about the listener and what it means to them.

TrunkSpace: What are you most proud of with the album?
Fish: That I am the sole guitarist on the album! Believe it or not, that’s never happened. By design, I wanted the opportunity to showcase that. I’m proud of the production, I feel like there is a lot of nuance and subtle instrumentation that makes these songs stick in your head.

TrunkSpace: What would 12-year-old Samantha think of your musical journey thus far? Would she be surprised by the path you have taken?
Fish: Twelve-year-old Samantha was going to be a vet, movie star and an astronaut all before 30. Honestly, I’d probably be surprised. I was a really shy kid. The idea of performing in front of crowds would have scared the hell out of me. I found my sense of self in music. I found my personality and confidence.

TrunkSpace: We love great lyrics… the kind that stick with us well after the song comes to end. What’s a favorite lyric of yours that you have written and why?
Fish: I really like the lyrics in “Dream Girl” right now. I wrote this song with Jim McCormick. The hook is:

If I could give up, a happy ever after, I’d be gone. If you could live up, to the dreams that I’ve been having, I’d hold on.

It’s melancholy, but weirdly hopeful. I love juxtaposition in art, it’s so prevalent in all life and matters of the heart. We’re all constantly at some type of crossroads, and that lyric touches on that.

TrunkSpace: Where are you hardest on yourself as an artist, and, have you gotten less self-critical over your work as you have gotten deeper into your career?
Fish: I think the first time you hear your voice on tape, it’s jarring. I’ve worked really hard on my singing over the years. If you don’t like something, you can change it. I’ve become less frustrated because I can do more now, but I’m still pretty critical of my performances. I strive for the best, so if I feel like I could or should have done better, I work at it.

TrunkSpace: How long did it take you to discover your voice as a songwriter, and do you think that creative point of view is constantly evolving?
Fish: Absolutely. It’s always evolving and changing. Life changes you naturally, so your perspective will change and become more mature. I started writing at 19, and thank God I don’t still think the same way I did back then.

TrunkSpace: Time machine question. If you could jump ahead 10 years and get a glimpse of what your career looks like a decade from now, would you take that journey? If not, why?
Fish: I’d love to say, hell yes, who wouldn’t? I really like knowing where I’m going. But what if you weren’t there in the future? That would really freak me out.

Kill Or Be Kind” is available now on Rounder Records.

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Caroline Spence’s Mint Condition


Artist: Caroline Spence

Album: Mint Condition

Label: Rounder Records

Reason We’re Cranking It: Comic books. Baseball cards. We assume, coins. Everything that is collectible is at its best when in mint condition. That includes Nashville-based singer/songwriter Caroline Spence’s aptly titled new album, which features a collection of songs that are not only some of the best of her career, but some of the best by any artist released this year.

What The Album Tells Us About Her: Unafraid to not only sing about emotion but to sing with emotion as well, Spence forms a connection with the listener in a way that few artists are capable of. So often we’re told about the “IT” factor (no, not the Stephen King variety!) that musicians can possess – the intangible thing that makes it impossible to look away – but with Spence it isn’t indefinable. It’s right there in her writing, which is everything that you want to hear come out of a brain and be integrated lyrically into song form. So good!

Track Stuck On Repeat: Poppy twang with a chorus that lingers for days, “Song About a City” is our favorite track off an album filled with memorable music.

And that means…

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