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Carpool Tunnel


With their new album Bloom now flowering for all to enjoy via Pure Noise Records, Carpool Tunnel is bringing their delicious stew of psychedelic surf rock and ‘70s-era sounds to a speaker near you. Their “Dreaming Still” music video is a nostalgic feast for the eyes and it is proof that this is a band that wants to have as much fun as they’re dishing out, which is why we were eager to sit down with lead singer/guitarist Ben Koppenjan for a seven question session.


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Like Pacific


Toronto-based Like Pacific crashed into the punk rock shores with their 2016 debut “Distant Like You Asked,” only to roll back in two years later with the impressive follow up, “In Spite Of Me,” available now on Pure Noise Records.

We recently sat down with guitarist Greg Hall to discuss the recording process, how inside influences continue to inspire them, and why they’re always surprised by what songs their fans gravitate towards.

TrunkSpace: “In Spite Of Me” is your second album. What did you guys take from bringing together your debut, “Distant Like You Asked,” that you applied to this one in hopes of improving the creative or the process itself?
Hall: The overall process between DLYA & ISOM were almost opposites. We really did “In Spite Of Me” the way we wanted to. We got to take our time and work with amazing individuals we have always wanted to work with, where DLYA was a rather rushed process.

TrunkSpace: “Distant Like You Asked” was released in 2016. No one is closer to the music than you guys, so we’re curious, where do you hear the biggest differences or growth between your first album and this most recent offering?
Hall: I feel like the overall maturity of ISOM is the biggest growth for us personally. We really weren’t trying to go for any specific style or sound. It’s a very accurate and honest representation of us as musicians.

TrunkSpace: As a band are you constantly writing or was there some creative time off between “Distant Like You Asked” and “In Spite Of Me?”
Hall: I feel like there is always a little sigh of relief when a record is finished. There’s definitely a little off time once we finish a record as most of our time is spent rehearsing the new material.

TrunkSpace: Like your first album, this one feels very personal, as if you’re putting all of yourselves and then some into the lyrics. Are you band that has to write from that very personal space in order to feel connected to the music you’re creating?
Hall: I’ll have to answer this one for Jordan the best I can. Jordan always writes from a very personal space, and opens himself up in order to put the most genuine content forward. You could say it’s a cathartic process.

TrunkSpace: What are you most proud of with “In Spite Of Me?”
Hall: The entire thing.

TrunkSpace: Do you feel like you were influenced from any outside sources or other artists/bands that you can hear reflected in the songwriting on “In Spite Of Me” that may not have existed in your brain at the time of “Distant Like You Asked?”
Hall: Not necessarily! However, as I mentioned previously, we had new individuals (Alan Day/Derek Hoffman) involved in the creative process of “In Spite Of Me.” So you could say that would be the biggest influence from an outside source, even though at the time they were technically inside sources.

TrunkSpace: Many people say that music is a form of therapy. Is it that way for you?
Hall: 100 percent.

TrunkSpace: Is there something creatively inspiring about working within a band atmosphere? Does creativity inspire creativity and put you all in a position to be better in the room?
Hall: Absolutely! We all get hyped on each other when we figure out something sick and/or work something out that we were having trouble with. We isolated ourselves in a cabin-in-the-woods type setting to finish writing ISOM, so creativity was just flowing the entire time.

TrunkSpace: There’s so much music out there – most of which is accessible in just a few clicks. Can that be an overwhelming thought when you consider your music is being released into a crowded landscape?
Hall: I feel like that would be an overwhelming feeling only if you let it worry you. You’re right, there’s so much music out there and the scene we’re in is constantly evolving, so all you can do is your best and what’s most genuine to you. That alone settles any worry for me.

TrunkSpace: We saw you ask fans on your socials what their favorite songs off of “In Spite Of Me” are. Are you constantly surprised what people connect to and what they don’t?
Hall: Definitely! Especially since we see the songs change drastically from start to finish. You always have a preconceived idea of what your fans will like the most, but we are always surprised by what they want to hear.

TrunkSpace: Finally, we’re on the back nine of 2018 now, but what’s on tap for the rest of year and what should fans be on the lookout for heading into 2019
Hall: We’re gonna be up to some fun stuff for everyone when we get home from The Hopeless Noise Tour. Keep your eyes peeled!

In Spite Of Me” is available now on Pure Noise Records.

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Sit and Spin

Like Pacific’s Had it Coming


Song Title: “Had it Coming”

From The Album: In Spite Of Me (art pictured left)

Single Sentence Singles Review: If Warped Tour wasn’t taking its final bow this summer, “Had it Coming” is the audible proof that Canada’s Like Pacific would be headlining the annual punk festival sooner rather than later.

Beyond The Track: In Spite Of Me is set to drop July 27 on Pure Noise Records. To stay on top of Like Pacific tour dates, visit here.

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Sit and Spin

Homesafe’s Run


Song Title: “Run

From The Album: One (art pictured at left)

Single Sentence Singles Review: “Run” is a song about not running from what life throws at you, and with this pop-punk track full of melodic vocals and heavy guitar riffs, you’ll feel like you can face anything that life dishes out!

Beyond The Track: One is due June 29th from Pure Noise Records. Homesafe is hitting the road this summer with Hot Mulligan, Heart Attack Man and Jetty Bones. Check out the upcoming dates here.

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Listen Up

Speak Low If You Speak Love


It has been over five years since Ryan Scott Graham first released “Everything But What You Need,” the debut album from the multi-instrumentalist’s solo project, Speak Low If You Speak Love. (It was reissued by Pure Noise Records in 2015.) As the bassist and backing vocalist for State Champs, Graham is no stranger to juggling musical genres, but even he admits to experiencing nerves on the eve of releasing his solo sophomore, “Nearsighted,” which he describes as a “new direction.”

We sat down with Graham days before the release of the album to discuss the emotions attached to putting music out into the world, what listeners could be thinking in the year 3043, and why he doesn’t write while on the road.

TrunkSpace: As you gear up for releasing new material, what emotions do you wrestle with? Is it excitement? Are there nerves? Is it a combination of both?
Ryan Scott Graham: It’s absolutely a good combination of both. I haven’t released new Speak Low music in a few years, so it’s nerve wracking to see what the reception of the new direction is, but it’s also exciting because there’s nothing to really fear when you believe in the songs so much.

TrunkSpace: Is there a different feeling associated with releasing Speak Low If You Speak Love songs as opposed State Champs’ material? Is there more of you invested personally in the solo material just by the nature of how it all comes together?
Ryan Scott Graham: I’m deeply passionate about both bands, so it’s hard to compartmentalize the feeling associated with debuting new songs. Both are fun and exciting, but I guess Speak Low can feel slightly different because it’s more of an “all eyes on me” moment. If somebody doesn’t like the material it definitely feels a bit more personal than the group effort. That’s probably the biggest contrast.

TrunkSpace: The songs on the album were created by you, given life, and will now live on long after any of us are here. Do you view your songwriting as part of a legacy? Do you hope that people of, let’s say 3043, will have a sense of who Ryan Scott Graham was by listening to “Nearsighted?”
Ryan Scott Graham: I think the reason why putting new music into the world is scary in the first place is because it exists forever. In regards to “Nearsighted,” a goal of mine was to make a cohesive record that had some legs to stand the test of time. Will it? I guess we will have to wait and see, but I think records you can listen to from front to back are the ones that stay with listeners. I’m crossing my fingers I accomplished that. In 3043, if people are listening to Speak Low I think they’ll wonder why I’m such a crybaby. That is unless, of course, robots can feel emotions too.

TrunkSpace: When you first sat down to put together “Nearsighted,” what were your personal goals? Did you set out to achieve something specific with it from a creative standpoint that you feel you didn’t accomplish with your debut album?
Ryan Scott Graham: I suppose I wanted to be more deliberate overall. Not only with the lyrics, but the melodies and instrumentation to accompany. It’s not that I’m not proud of “Everything But What you Need,” because I am, but it feels like a different lifetime. I wrote those tracks without revisiting or rewriting a single note, which I’m sure some would argue gives the record its charm, but there was much more deliberate thought on the “Nearsighted” tracks. I wanted the flow of this record to be smoother. I wanted to capture a moment in time and feel timeless all at once.

TrunkSpace: What are you most proud of with “Nearsighted?”
Ryan Scott Graham: I’m proud of the journey. I wanted to give up numerous times, because I put so much unnecessary pressure on myself. When I sat back and remembered why I was creating, everything began to come together. I needed to remind myself that I love what I do – and there will always be someone out there who needs to hear what you have to say.

TrunkSpace: Is it easy for you to transition from Speak Low If You Speak Love to State Champs and vice versa? Creatively do you have to compartmentalize the two or does the spark that fuels both stem from the same place?
Ryan Scott Graham: I think it all comes from the same place, truthfully. Yes, they’re different genres and I think maybe the project goals are different, but there’s nothing I love more than making music. Sometimes I write a riff that I think is fundamentally Speak Low and it ends up finding its way into a State Champs song. You really never know!

TrunkSpace: You’re obviously performing your songs in a live capacity, but when an album is complete, do you go back and listen to the recorded versions with any frequency?
Ryan Scott Graham: Of course! I don’t think of it as self gratuitous to listen to your own songs. I create things I enjoy and am proud of – you can be proud of yourself without being a jackass!

TrunkSpace: Are you a perfectionist when it comes to the recording process? Are you able to easily label a song complete, or do you labor away at them, tweaking and retweaking?
Ryan Scott Graham: As I mentioned earlier, “Everything But What You Need” was a record that came easily; “Nearsighted” was a completely different story. I rewrote, reworked and re-chorded multiple songs over the course of the making of the record. It was frustrating because you want the songs to make sense immediately, but that just isn’t the case every time. It makes it more special when they do click right away.

TrunkSpace: Could you ever see a day where music is not a major factor in your life? If so, would you still need a creative release/outlet?
Ryan Scott Graham: I have a lot of passions that I hope to pursue in the years ahead, but I can’t imagine a future without music. Whether that’s my career path or not, it’s hard to say. I’d love to teach English or literature abroad at some point.

TrunkSpace: When it comes to your career in music, did you have a mentor who took you under their wing? Do you see a time when you could be in that mentor role and helping to put another young musician on his/her path?
Ryan Scott Graham: I don’t know that I’ve had a “mentor” per se, but I’ve definitely had a handful of musicians that I looked up to growing up. I always tried to reflect specific pieces of their journey in my own without being a copy. As far as me being a mentor to someone, it’s certainly not out of the question. If I can influence someone in a positive and creative way, I’m doing something right. There’s nothing more rewarding than hearing someone say that something you did made them want to try it out. You can’t fall in love with something without giving it a fair chance.

TrunkSpace: You have a big tour set to kick off soon. Are you someone who can write while out on the road or do you have to unplug creatively while out there on the highways and byways?
Ryan Scott Graham: I tend to unplug musically while I’m on the road. Obviously we’re playing the show and in the zone during the sets, but in regards to songwriting, I need to lock myself away if I’m going to get anything done. Being on the road is key for conversations, exploration and people. I’d rather pour myself into something other than music while I’m out here.

TrunkSpace: We’ve barely scratched the surface on 2018. Did you make any New Year’s resolutions for yourself and if so, how are you doing sticking with them thus far?
Ryan Scott Graham: My resolution for 2018 was to develop a better pattern of time management, but I can honestly say that I have not been doing a great job of that. I love to stress myself out.

Nearsighted” is available now from Pure Noise Records.

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