jenn lyon

The hit TNT series “Claws” took audiences by surprise when it first aired in the summer of 2017, but those tuning in weren’t the only ones to have the Rashida Jones-produced dramedy exceed their expectations. Evan Daigle, then a college student in New Orleans, was cast in the pilot as Toby, only to discover months later that the character would become a recurring role, kick-starting his professional career in a most unexpected way.

We recently sat down with Daigle to discuss the slow burn of Toby’s birth as an ongoing character, the inspiring words that will stay with him throughout the course of his career, and why he has been spoiled with “Claws” being his first job.

TrunkSpace: Your “Claws” journey and how your professional career kicked off was sort of unorthodox and not how a lot of actors find their path. How has your life changed the most since it all began?
Daigle: I think that the biggest difference in my life was just having to leave school – being in school since the time that I was five years old and then leaving, not when I planned to leave, but when I was 23 and about to graduate. It was an opportunity that I couldn’t refuse. And I was going to school to be able to work professionally as an actor. So I think that that was probably the biggest difference in lifestyle. But now that I’ve settled in, after doing two seasons of the show, I feel really comfortable with all of the crew and all of the other actors and everything. I think that the biggest new thing that I am dealing with now is how to settle myself in Los Angeles and figure out how this city works ‘cause I come from a really small town in Louisiana.

TrunkSpace: You had no idea where things would end up when you first read for the part because the character wasn’t even considered to reoccur at that time, so in terms of your personal journey, it must have been interesting to see it all take these turns, turns that you never expected?
Daigle: It was a slow burn for sure. I got the pilot in October of 2016. The character was only going to be in one episode, and the series hadn’t been green lit yet. I was only going to be in that one scene. I auditioned for another co-star part, not recurring, nothing to do with that, but then whenever the series got green lit in January of the following year, my agent called me and said that they had me penned for the first three episodes of the season. So at that point we kind of had a feeling for sure that it was going to be a recurring part and after that it was just every week I would get a call from my agent, “They want you back. They want you back.” And I ended up doing nine episodes the first season and six episodes in this new season. So it’s been moving pretty fast. I can’t believe that it’s already been two years and two seasons since I started with the show.

TrunkSpace: Did you already move on emotionally from the job between that period of getting the pilot and when you ultimately heard back?
Daigle: Oh definitely. You sort of have to ‘cause if you really stress out or think about options or projects that you don’t really know they’re gonna go or not you’ll just live miserably as an actor, so you have to try to just let it go as much as possible. Obviously I was checking Variety every day, and when I saw the Variety article that the series got green lit, those two days between then and then whenever my agent called me were some of the most stressful days that I’ve had in my young career. But whenever I got the call to tell me that they had booked me for more episodes, we were both so excited.

TrunkSpace: As far as jobs go, because there were so few expectations out of the gates, it must be the gift that keeps on giving.
Daigle: Oh and this project has… that’s the perfect way to put it. It’s been the gift that keeps on giving. Not only has this project really given me the beginnings of a real career, it’s also just been such a blessing for this job to be what it is. I feel so incredibly, incredibly inspired by the themes of the show. I love how diverse and inclusive it is. It’s just been great that this show is my first job. I feel really spoiled for the set that I work on, ‘cause I hear it’s not necessarily the norm.

TrunkSpace: It feels like a lot about this job, at least how it relates to you, has not been the norm. You didn’t go to Los Angeles to start your career. In a way, the show kind of found you in New Orleans, right?
Daigle: Yes. There’s a small film industry in New Orleans ’cause a lot of films and TV shows will film down there and they’ll hire the co-stars and the one-liners out of New Orleans. And so I had a small agent there and that’s why I was able to even get in the room with the part because it started off so small. I had always saw myself moving to LA or New York to start my career, but I was going to try to stay in New Orleans and build up my resume with a couple of co-star roles to have a little something-something whenever I got out here. What has happened to me now is more than I ever could have asked for or even envisioned for myself, so it’s been amazing.

TrunkSpace: And it must be such a confidence boost to your abilities as an actor to know that they brought this character back after you gave him life?
Daigle: Yeah, and honestly, that’s been the most gratifying and most validating thing for me, is that it’s true what you say – if you’re not a regular, you’re not contracted into absolutely anything. And so they can kill you off or they can simply write you out. And so Jenn Lyon, who plays Jen in the show… and I will never forget, I think in the fifth or sixth episode of the first season, her and I were working together and she sat me down and told me that she was really proud of me and to recognize that I’m here and continuing to be here because I’ve impressed the producers at the network and studio level continuously. And she was like, “You’re a young actor, I know that you probably don’t understand the gravity of that, but I want you to know that I’m proud of you.” It’s just that kind of validation, from these seasoned actors that have been just working for years and years and years, it’s given me the confidence that I think I need to start really competing in LA.

TrunkSpace: You mentioned leaving college sooner than you expected, but in many ways, your education is continuing through your work on the series… just not in a classroom.
Daigle: Oh 100 percent. The first season for me was a complete, complete immersion into film acting. I was studying theater in school and I had a really good film acting teacher but there’s nothing like actually being on set and getting to work with people like Carrie Preston and Harold Perrineau who are these insanely talented, seasoned theater, film and TV actors. It’s what I was telling you, I feel so spoiled by this being my first job.

“Claws” airs Sundays on TNT.

With the new series “Claws” on TNT, Jenn Lyon is literally clawing her way to the top and forcing us all to pay attention. The North Carolina native relishes in portraying a “real” woman on television and hopes that the show’s success will lead to Hollywood moving further away from representing women based on preconceived standards.

“If women could be freed from that… I think that would be wonderful,” Lyon says.

We sat down with Lyon only days before the premiere of “Claws” to discuss her favorite part of playing the character Jen, how she embraces the current moral backlash that the series has received, and why Timothy Olyphant is just so damn good at what he does.

TrunkSpace: We’re only a few days away from the premiere of “Claws” on TNT. From your perspective, while exciting, do you also worry about it finding an audience in this current TV landscape where there is so much content vying for the same eyeballs?
Lyon: Yeah, because you know, I’m ancient and I remember when there was just the three big networks and maybe like, USA and Nickelodeon. You didn’t have all of these different avenues and platforms showing produced content, so yeah, it makes me feel a little worried. I think what we have is real special though and you haven’t seen it on TV before. It’s such a show about female bad assery and I feel like it’s the right moment for it to happen. I’m just hoping everybody likes it as much as we do. I really believe in it.

TrunkSpace: It does seem like shows are given a bit more room to breathe and find an audience these days. In that time when there were only three major networks, if a show didn’t come out of the gates with 15 million viewers, it was axed immediately.
Lyon: Absolutely. TNT is really stoked about the show and they love it as much as we do, so I hope that it will be given a chance to develop. The pilot is spectacular, but I think it gives you a tiny window into these women and what their life is about. Then there’s this great cliffhanger and you get sucked into this world and I hope audiences will give it a shot.

TrunkSpace: Not only is it a female-driven concept, but it’s a full ensemble of women, which sadly, still seems rare even in this golden age of television.
Lyon: Oh yeah. Super rare! And all of us are of a different ethnicity. That’s also refreshing.

TrunkSpace: Is “Claws” an example of how networks are trying to be more focused with their content as opposed to being so broad that they are developed to be a little bit of everything for everyone?
Lyon: To me, it has something for everybody. We’ve got comedy. We’ve got sex. We’ve got drugs. We’ve got violence. We can really run the gamut. BUT, it’s also not for the children.

Apparently One Million Moms has a petition to stop the show from airing and they’re just really upset about it. I don’t know why that makes me so happy. (Laughter) I think good art should be kind of polarizing and so to be involved in something that is, it makes me proud.

TrunkSpace: That kind of moral push back from groups always seems to help ratings as opposed to hurt them.
Lyon: Absolutely. I remember when they protested “Angels in America” in North Carolina. People are going to want it more. Your actions are doing the opposite of what you think they’re going to do.

TrunkSpace: So when it comes from strictly a performance standpoint, what’s your favorite part of playing Jen in the series thus far?
Lyon: My favorite part about playing Jen is that she’s messy. She’s rough around the edges… tenuously sober. It gives me the leeway to sort of experience this full spectrum of emotional life within her. She has two kids and she has two different baby daddies and she’s just a real person. She’s like a size 12 or 14. This is a real woman on TV and that gives me so much joy because I’ve been on TV before and was super thin, never ate, played lovely things and was so sad and worried all of the time. And now I’m able to eat food AND be on TV. (Laughter) That is like a miracle to me. I think it’s so great for women to see other women of size in the show. And all the women in this show are at their natural weight. Nobody is dieting. We get to eat New Orleans food. It’s just amazing.

TrunkSpace: So if the show hits and becomes a mainstream success, do you think that will continue to force the hand of networks to present women in a more “real” light?
Lyon: I hope so. I think we have been turning that corner in the last few years, with women of size being more prevalent in mainstream shows. “Orange is the New Black” is full of all different sizes of women. So yeah, I think we have been turning the corner and I think comedy has really helped in that sense. I hope it continues to change.

I read this quote the other day and it said, “A cultural obsession with female thinness is really a cultural obsession with female obedience.” I was like, “Oh my God! That feels right!” It’s like you’re being told to keep in lockstep with some sort of standard that doesn’t have to apply to you. It presses you down all the time and to be free from that is huge. If women could be freed from that… I think that would be wonderful.

TrunkSpace: And it starts so early. Looking at a doll like Barbie, the body type is just not realistic.
Lyon: Yeah. They did that study where it was like, “If Barbie was a person, her real measurements would be…” And it was something ridiculous. It was like 48-16-20. And girls are being sexualized earlier too, so it’s like this pressure to be beautiful and sexy and an object starts so early. I don’t know what I would do if I had a daughter. I would just want to wrap her up in overalls and just keep her in a cabin. (Laughter)

TrunkSpace: You’ve done so much great theater over the years. Is that something you’ll continue to pursue as you navigate the film and television landscapes?
Lyon: It’s what I went to school for and it’s what I’ve been doing since I graduated. I think I only started doing film and TV like four years ago, and so I’ve been doing theater in those four years as well. I’ll go shoot something and then I’ll be unemployed and working at a pizza restaurant while I’m auditioning and then I’ll get a play and do a play and then I’ll go back to the pizza restaurant.

This (“Claws”) is a huge opportunity. I can’t believe it.

I’ll do theater whenever though. It’s my best love.

TrunkSpace: There just seems something special about it. Once you’re doing a play, you never really want to leave the theater itself, right?
Lyon: Yeah, that’s true.

Well… that’s not true. (Laughter) Sometimes you’re like, “I’ve got to get out of here!” It’s a grind. People don’t realize that. Eight shows a week is a real grind and it’s like you’re always preparing for or recovering from the show. It’s your life. But, it’s so immediate and wonderful and I think what’s really cool about it is that it evaporates. It’s between you and this audience. You’re sitting in the dark and it’s a weird ritual that we do and then it’s just gone. And it only exists in their minds and your mind. It’s not frozen forever like TV and film and there’s something about that that gets me excited.

TrunkSpace: It’s so funny you say that because in the day and age of streaming when people can rewatch stuff whenever they want, that makes theater even more unique.
Lyon: Yes. I was doing “Hold On To Me Darling” at the Atlantic in April and we had to constantly tell people to stop recording because Timothy Olyphant was in it and all of these “Justified” fans would come and they would try to record it on their phones. We were like, “You just can’t do it.” (Laughter)

TrunkSpace: As you transitioned into television and film, did you sort of have to retrain yourself because acting for the stage is different, correct?
Lyon: Yeah, it is really different. People that say it’s not different, I’m like, “What are you talking about?” Everybody is so quiet on TV. (Laughter) Nobody talks at an acceptable level. You’ll be across the room from somebody and you’re like, “(whispering).” And in theater, you’re trying to reach the old lady who can’t hear who is sitting in the back row of the balcony. You have to fit the frame. So yeah, I had to sort of scale it back.

TrunkSpace: And to learn that out of the gates with Timothy Olyphant when you appeared alongside him in “Justified”… that had to be a great learning experience because he sort of epitomizes that quiet delivery.
Lyon: Oh yeah… that mother fucker can just do everything with like a little squint and you’re like, “Fuck you, Timothy!” He’s so good.

We got to make fun of him when he was doing the play because he always wanted to be doing something. Actors on TV… you’re always inventing business for yourself. You’re grabbing a cough drop when you’re talking to your boss or putting a file folder together. And he was always wanting to adjust the table or do whatever and we were like, “Stand there and say the words!” (Laughter)

“Claws” airs Sundays on TNT.