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The coolest thing about Derek Mears isn’t that he’s getting to play Swamp Thing in the new original series set to premiere on the DC Universe digital subscription service May 31, but that he is so grateful to be doing so. As a fan of the iconic character himself, the California-born actor first picked up a “Swamp Thing” comic book as kid – before he could even read – only to find himself bringing the misunderstood creature to life on the small screen decades later. Full circle at its finest!

We recently sat down with Mears to discuss what his younger self would think of his latest role, the wearable art that is the Swamp Thing suit, and why he prepared by reading about everything from existentialism to botany.

TrunkSpace: What would 12-year-old Derek think about getting to play Swamp Thing?
Mears: 12-year-old Derek just stares at a wall for his entire career going, “Are you kidding me?” I don’t understand how this happened, but I am in no way sad about it. If I had six guns right now, I’d be shooting them in the air. So, pretty excited.

TrunkSpace: Because it’s such an established character, did you feel pressure to make Swamp Thing your own?
Mears: For sure. Any role that I do, I approach it that way. It’s like handwriting. If you and I were to play Pinocchio, we’re going to approach it different. It’s our own kind of style and it’s naturally going to happen. But yeah, of course, I did put my own little spin on things, but also tying back the fan pressure… I wouldn’t really say it’s fan pressure, it’s… on my end, more of a responsibility. I‘ve been getting so many lovely messages on social media from people who have grown up with Swamp Thing being their guy, and they already have this personal relationship that has given them crossroads in their life, and given them answers, and given them joy. It means so much to these people that I knew I had that responsibility of making it right for them, because it’s almost like you’re babysitting their child and going, “Oh, I want you to be happy in what we’re doing, and be on board,” because you don’t want to ruin those memories. You want to make those memories that they have – and the love for the character that they have – flourish.

TrunkSpace: In many ways Swamp Thing has always represented what The X-Men have for people, which is, characters who are outcasts. For many readers who feel that in their own lives, that helps form a connection.
Mears: Oh, 1,000 percent. That’s a huge theme that we’re doing in this version of “Swamp Thing” where a lot of it is about acceptance that we can all kind of relate to. I’ll call it trying to accept, or struggling to accept, who he is as Swamp Thing. It’s something that we all feel, because at certain points, we feel we’re too tall, or too short, or too thin, or too wide, or our teeth just aren’t right, so there are elements of humanity that we all gravitate to with this character. So in a sense, he represents us.

TrunkSpace: In many ways, he was a more relatable character than the super-powered heroes. He was more human than some of the human characters.
Mears: Oh, absolutely. That’s what’s kind of beautiful about it. He’s such a balance. Where there’s good, there’s bad, but there has to be a balance and he strives to do the right thing. But as humans, we’re all fallible and we’re going to mess up somewhere. It wasn’t just the stereotypical black and white of things. There’s so much gray to this character, but the intention is to do good.

TrunkSpace: Were you nervous leading up to the first trailer being released and fans having their first look at what the series and the character would represent?
Mears: Honestly, through my own vision or through my own rose-colored glasses, when I first saw the concept for the character of how they were executing it, my mouth dropped. I was like, “Are you kidding me? That’s what you’re going with because that is pretty right-on!” And I kind of knew ahead of time because the buzz on the set has been sort of there the entire series. It’s one of those special jobs where the cast and crew get along so well, and there’s no hierarchy between the different departments. It’s like, “Oh, we all want to row the boat in the same direction to accomplish the best possible story that we can.” And once I saw how the suit looked, I went, “Okay.” Some people tear up over it. It’s like, “I can’t believe it.” Also, seeing that teaser shot, I go, “Wait until you see it in the different proper lighting, it looks even better than that.” And I’m not bragging because I’m in the suit, but I’m just trying to relate that as a fan myself, I get to wear art. And that art is pretty darn accurate. I don’t know how you could get much closer to the bullseye with that.

TrunkSpace: What’s so great about that is, with this kind of wearable art, you’re leaving a mark on pop culture and the suit could end up in a museum some day.
Mears: I’m thrilled about that. The work that the Fractured FX guys did, with Justin Raleigh at the helm, they put so much time and effort into this. There are some times where people kind of rush through and go, “Oh, what’s the minimum that I have to do to do my job?” I know for a fact that they went above and beyond, and went outside their own budget and used some of their own budget to make it right, because they knew how much this meant to fans and to themselves as artists. I’ve been so blessed to wear different prosthetic characters throughout my career, but I tell you, man, this suit is the Cadillac of suits. The way that you can emote so well through the face, the way that the prosthetics move and work… but it’s all within the design. It was done on purpose. So even like spending so much time in the water, they designed it to be a quicker drying suit than it normally would be. I’m looking at it in a mirror after wearing it I don’t know how many times… because after a while, you kind of get like, “Okay, that’s what I’m wearing,” but every time I’m suiting up, I’m staring at a mirror going, “Are you kidding me? I can’t see the lines on this, the way that it moves.” If I want to, I can kick over my head. It moves so well. So it’s really a pleasure. I’m not trying to pump it up more than it is, but just from my eyes, I’m really lucky to wear this. I can’t wait to see the fans’ reaction when they see it onscreen.

TrunkSpace: And you touched on it, but the suit’s ability to emote is incredible, which is so important for this character. From a performance standpoint, did this character require a different approach than other characters where you had to wear prosthetic suits?
Mears: Well, yes and no. I’ve been on producer sessions or what not for features or shows, and they’re like, “Oh, we need a big guy to wear a mask,” and I’m like, “Alright, have a good day, guys.” “Are you leaving?” I’m like, “Yeah, if that’s your mentality, I’m not right for this job.” Because there’s so much more that we do for this when you’re behind a suit. You approach it like it’s any other character. You have to add that emotional depth, and that’s why I think it’s so important to do a lot of characters like this practically and not just CGI. There’s the point where the two could marry with, say, they benefit each other, which is amazing, but you have to be able to emote the humanity of the character through that makeup. And especially with this character, there’s such a pathos to Swamp Thing, and the extremes of extreme sadness to extreme violence and anger, and the middle ground of that humanity, and trying to keep that balance that he struggles for. It’s such a challenge. But I prepared. I read so many different books on existentialism, and psychology, and philosophy. I even dug into different books on botany. But just kind of making up my own and… using the Alan Moore run from “Swamp Thing” as a flow chart to draw from. So just doing hours upon hours of extensive research, and to be able to hit some of the emotional depths of this character as he strongly deserves, and tie it into my own past and my own personal experiences, but molded him in a sense that they can be used through the limbs of the character to express. So, just the little, subtle things of something affecting you with the makeup, it really shines through and I don’t have to do much because of the prosthetic, because you can read what’s going on.

TrunkSpace: You had mentioned reading Alan Moore’s arc. In going back and looking at the books, was there any iconic imagery that you drew from, and how you physically presented Swamp Thing on camera?
Mears: Oh, for sure. They call it aspect. It’s kind of like Frankenstein. I mean, there’s so many aspects of making a character in general as an actor. There are the physical aspects, and the mental aspects, the emotional. There’s the subtextual, the parables, the metaphors that you try to add in. But on the visual side, absolutely. We’ve taken from the original series with Len Wein and Bernie Wrightson – Bernie Wrightson’s drawings, and we rely heavily, story-wise, through the Alan Moore saga, but there are elements of “52” in some of the design. It’s an amalgamation of all of them. And from time to time, being that I’m a nerd and I learned to read by collecting comic books as a kid, I would do little homages to John Totleben or Stephen Bissette, as well as Bernie Wrightson, so fans could be tied into the characters.

TrunkSpace: And those fans will appreciate that because they will be able to see that you’re just as in love with the character as they are.
Mears: Yeah. It’s weird, because growing up, I grew up on some of those comics. I remember when I was a kid, a little weird story was I remember not being old enough to read yet, and my mom would go get her hair done at a beauty salon or whatever, and every time she went, I got to go across the way to a 7-11 where they sold comic books. Our town didn’t have a comic book store at the time, and I got to choose different comic books to read while she got her hair done. And I remember being a big Batman fan, and I got this one comic, and I went, “Oh, this comic is issue #7 called ‘Swamp Thing’ with Batman in it? Well, Batman’s in it.” And I remember reading it, and being totally into this character, going like, “But he’s a good guy, but he looks so terrifying! Okay!” But I didn’t know what the words were, so later on, having developed to be able to read and understand what it was… and now as an adult, I completely forgot about all that, but when I was doing all my research and going through all the comics, seeing that cover, going, “Wait a second,” and having this rush of nostalgia hit me. “I remember staring at these pictures and trying to understand what was going on in the story, but not being able to read.”

What a crazy full circle to be able to play the character now as an adult.

“Swamp Thing” premieres May 31 on the DC Universe digital subscription service.

This October we’re focused on one thing and one thing only… watching as much horror-related programming as possible to prime the pop culture pump in celebration of Halloween. Our consuming will be taking place nightly, and while there’s no rhyme or reason to how we’re going about choosing our scary screenings, we’ll do our best to tell you how we did it so that you can watch them as well.

Title: Community

Episode: “Epidemiology”

Directed By: Anthony Hemingway

Starring: Joel McHale, Alison Brie, Donald Glover, Yvette Nicole Brown, Danny Pudi, Gillian Jacobs, Chevy Chase, Ken Jeong, Jim Rash

We Watched On: Hulu

Trunktober Approved Because: One of the best ensemble casts in television history, “Community” started off as a much different show than how it ended. Originally more of a “traditional” sitcom, the writers began to hit their irreverent stride by Season 2, which is where this Halloween-themed episode first appeared. The premise: tainted food at the community college leads to a zombie-like outbreak, complete with all of the genre cliches that we horror fans are all-too familiar with.

Biggest Scare Laugh: A giant flesh-eating banana. Can you peel that!

With her new series keeping stream-hungry audiences entertained on Netflix, Irene Choi is holding tight as the roller coaster ride that is her “Insatiable” journey prepares to leave the station for a second season. Playing the terrible, horrible, no good, very bad Dixie Sinclair in the quirky revenge dramedy, the scene stealer is enjoying the path her on-screen alter ego is traveling, which is not exactly new territory for the Harvard graduate who also played Annie Kim on the fan-favorite series “Community.”

We recently sat down with Choi to discuss why Dixie is more than your average mean girl, how the naysayers learned to love the show once they gave it a chance, and the reason she would have liked to see where Annie Kim’s fictional future led.

TrunkSpace: “Insatiable” is inspired by a true story. Does that mean that there is a real Dixie in the world? Because for those of us here with daughters who may meet a Dixie in their life one day, that’s kind of terrifying.
Choi: There absolutely is not. She is 100 percent made up, which is a relief. (Laughter)

TrunkSpace: When the material you’re working on is based on something that actually came from someone’s own experiences, does it have a different feel on set? Do people approach the material in a different way?
Choi: I would say in this case, no, just because it was really just sort of the premise, which was inspired by Bill Alverson, who is the real guy. But otherwise, the storylines were just completely in a very heightened fantasy world where people kind of go relatively unpunished for a lot of bad deeds that they do. We’re just these made-up characters in this universe, so at least for me, there was no obligation to mirror true life.

TrunkSpace: There’s been so many “mean girls” portrayed in film and TV over the years. Did you want to bring something different to the portrayal of Dixie and did the tone of the show allow for that?
Choi: Yeah, absolutely. It was also sort of written into the script as well. Even though the character of Dixie doesn’t really seem that complicated – she’s a villain, she’s a mean girl – it’s a pretty traditional trope in high school stories, but I think that’s one thing that’s a little bit different about her, is her background gives her a lot of layers. I think one thing, for example, is she is an Asian adoptee who’s living in Georgia. She has a single parent who happens to not really be a great parental figure. She has a line in the show, which is supposed to be funny, where she says, “I’m not Asian, I’m adopted.” It’s supposed to be funny because she’s stupid, but also it’s a little true, because she hasn’t really been exposed to her sort of ethnic and cultural identity. She doesn’t identify with it at all. So I think she has a sense of identity that she hasn’t quite formed yet, and as a result, she is also sort of misunderstood a lot by her peers. She actually doesn’t really have a lot of friends, which – and usually I feel like the mean girl in these stories usually happens to also be the popular girl – that’s not what she is.

TrunkSpace: There was a part, in the way you portrayed Dixie, that suggested her behavior was a bit of a defense mechanism.
Choi: Exactly, yeah. And I think in real life, as much as this show is such a caricature of reality and is kind of in this sort of revenge fantasy world, it does sort of relate to real life. Because I think in real life the bullies in high school, but also just in general, they’re not usually the people that are sort of at the top of the social totem pole. A lot of times, they are people who are misunderstood, and don’t really quite have friends, and are really sort of trying to figure themselves out as well.

TrunkSpace: Was there something kind of freeing about getting to play her and how nasty she is?
Choi: Yeah, absolutely. And I got a lot of freedom with playing Dixie as well. The directors were always very much like, “Just go balls to the wall with her.” There were absolutely some times where they would say, “Let’s try to keep this one a little bit more grounded or sincere,” but they were all incredibly generous with just sort of letting me play, and really explore that character as well.

TrunkSpace: We already mentioned the tone of the show, which feels fresh and unique, but at the same time, it’s that specific type of comedy that probably allows for a character like Dixie to work.
Choi: Yeah. Yes, as an actor, I think that’s definitely kind of a dream come true. It’s been really, really, really fun. And also, for me personally, it’s my first time as a series regular on a show, being able to play this character for a whole season, as opposed to doing these sort of one-off guest star episodes or just recurring. You don’t really get the time, nor do you get the material, to sort of really explore a character to its full extent, so that’s also been very exciting for me.

TrunkSpace: What’s sort of been the most surreal moment for you thus far since you wrapped Season 1 and it started streaming?
Choi: Oh, I guess there’s a lot of things. Basically for a really long time, almost about a year, I would tell people that I’m on this show, and no one had heard of it. “It’s a new show, it’s called ‘Insatiable.’” And they’d be like, “Uh, okay.” And then our trailer dropped, which got really sort of scathing reviews from a lot of people, and then it was kind of crazy. No one had heard of our show, no one had any opinions tied to it, and then all of a sudden everyone had heard of it and hated it. And I think that was sort of really alarming. And then when the show came out, the fans and the audience actually really, really loved it after actually having seen the whole thing, and then it was just… it was really sort of a roller coaster of emotions, honestly. It’s like one minute no one knows who you are, the second minute everyone knows who you are, and not in a good way, and then another minute it’s like everyone totally likes you. So that’s just just been a little bit… it’s definitely been kind of overwhelming. Not overwhelming, but it’s just been so unpredictable. But, that’s pretty much how this industry is. As much as I sort of have been trained to be always be prepared for the unexpected, it’s always just going to be surprising.

TrunkSpace: Whatever you plan for, it goes in the opposite direction.
Choi: Exactly. Just when you think you’ve planned for every sort of potential scenario in your head… like, no.

TrunkSpace: What’s really great is that you already have a Season 2, which in the world of television, is a rarity to have so early.
Choi: Yeah, which again, sort of ties into that sort of roller coaster of emotions because it was like, “Oh my gosh, everyone hates us, we’re definitely not getting a Season 2.” But then we did. So, yeah, it’s crazy.

TrunkSpace: You mentioned how much you have enjoyed getting to know Dixie over the course of an entire season. You’ve appeared on a bunch of great shows over the years. Is there a character that you wished you had been given more time with?
Choi: I got three episodes to explore this character on “Community,” which was great. I definitely would have loved an opportunity to explore that character further. That was also a villain. I guess I am personally drawn to villain roles. (Laughter) It’s kind of funny that people see me that way too.

But that was definitely a really fun one. She basically played the evil version of an existing character, who was Alison Brie’s character on the show. And because she was obviously a series regular and had a very deep woven story, I would have loved an opportunity to explore this other character that sort of played her evil version/nemesis kind of thing. I think she could have also, over time, developed almost an equally complicated story as well. So, that one was definitely really a fun one. I’m really thankful that I got to do the three episodes that I did, but it definitely would have been a lot of fun to do more.

Season 1 of “Insatiable” is available now on Netflix.