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Chris Fenoglio

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Website:
www.chrisfenoglio.com
Instagram: @Chrisfenoglio
Twitter: @Chrisfenoglio

Favorite Comic Book Character Growing Up: Toss-up between Spider-Man and Daredevil

Favorite Comic Book Character Now: No idea… there’s a lot of great ones.

Latest Work: (Title/Publisher/Release Date) “Goosebumps” for IDW. Issue 2 was released January 3, 2018!

TrunkSpace: How would you describe your art style?
Fenoglio: Personally, I think I’m kind of a mix of Jeff Smith and Chris Samnee… if both of them hit their head really hard and forgot how to draw.

TrunkSpace: How important were comic books in your life growing up and is that where you discovered your love and inspiration for drawing?
Fenoglio: Comics were my everything when I was a kid. I knew I wanted to draw comics when I was six-years-old. I drew even before that… so to be honest, I’m not sure why I started drawing, but my mom says it was the only activity I did that kept me quiet.

TrunkSpace: Was there a particular artist or title from your childhood that you remember being drawn to and inspired by?
Fenoglio: There were… a lot. Jeff Smith, Alex Ross, Jim Lee, Scott Morse, Humberto Ramos, Joe Madureira… and a ton more I can’t think of at the moment.

TrunkSpace: How did you decide to approach your career in comics? Did you formulate a plan of how you wanted to attack what is known for being a hard industry to crack?
Fenoglio: God, I wish I was that smart. A lot of it was luck and persistence. I just kept going, even when it probably was in my better interest to quit. I wouldn’t recommend taking that route, but it eventually worked. For anyone trying to get into the business, make a plan, yes, but persistence will get you everywhere. It’s a rough industry, and even if you’re good, chances are you won’t “break in” on your first go.

TrunkSpace: What was your biggest break in terms of a job that opened more doors for you?
Fenoglio: Doing colors for “Orphan Black” for IDW. That got my foot in the door and showed that I can be a professional and make good work on a deadline. It also gave me the ear of an editor who would look at artwork I submitted with more than a passing glance.

TrunkSpace: A lot of people say that breaking into comics is the hardest part of working in comics. How long did it take you before you started to see your comic book dreams become a reality?
Fenoglio: It took me a long time to break in. I studied art in college and still didn’t have the chops, so after four years of working odd jobs after college, I went back to school to get a master’s degree in illustration. Only then was I in a place where I could start getting even meager amounts of work. I’ve wanted to draw comics since I was six, and I didn’t get my first real paid gig until I was almost 30, which is a long time.

TrunkSpace: Is there a particular character or universe you always find yourself returning to when you’re sketching or doing warm-ups?
Fenoglio: Spider-Man and Batman. They’re just really fun to doodle. I also like sketching people from life.

TrunkSpace: Is there a specific title or character that you’d like to work on in the future and why?
Fenoglio: There’s a lot of them, but probably the Ninja Turtles. My first exposure to comics was through Archie’s “Teenage Mutant Ninja Turtles Adventures” comics, so it’d be amazing if I could do some work with those character. Close the loop, y’know?

TrunkSpace: What is your ultimate dream when it comes to your career in comics? Where would you like your path to lead?
Fenoglio: It’d be great to do some of my own at some point — write and draw a full graphic novel. Or start making money from my web comic.

TrunkSpace: What would you say is the greatest strength as an artist?
Fenoglio: When I was breaking in, I’d show my work around to artists and editors at conventions. Some pros told me to focus on one area, like penciling or inking, and get really good at that one thing. I don’t really think that’s great advice — at least not in today’s comic industry. The thing that got me work was my diversity in skills — I can make a comic from the floor up and do every job between writing and printing the book. Having that range of skills got my foot in the door with small jobs which eventually lead to bigger jobs. I couldn’t get a job as an artist, so I took a small lettering job. That led to a small coloring job. That led to a bigger coloring job. That lead to a drawing gig. If I wasn’t able to tackle every aspect of making a comic then I wouldn’t be doing what I’m doing today.

TrunkSpace: How has technology changed your process of putting ideas/script to page? Do you still use the classic paper/pencil approach at all anymore?
Fenoglio: It makes things faster for me, and, again, allows me to do multiple jobs which makes me more employable. Editors don’t just want a penciler anymore. They want you to be able to ink your work too — and color it if at all possible. Technology has made those jobs so much quicker that one person can do most or all of them in the time it used to take a whole team.

TrunkSpace: What advice would you give another young aspiring artist who is considering a career in the comic industry?
Fenoglio: Run away as fast as you can!!! I’m kidding… well, sort of. It’s a really hard industry and the pay is not great unless you’re top, top, TOP tier talent — and even then a lot of those guys could probably be making more money in animation or some other illustration industry. But if you’re adamant, my advice is to make something and bring it to completion — be it a printed comic, a web comic, etc. You’ll learn a lot by doing it, but more importantly to get a job you have to show editors that you can make a professional looking, finished product. Don’t sit on your hands and wait for someone to notice you. Put something out into the ether.

TrunkSpace: Making appearances at conventions: Love it, leave it, or a combination of both?
Fenoglio: I like cons, but I’ve never been invited to appear at one, so I can’t really say whether I enjoy making appearances or not. I tabled at a convention once and between getting the table and buying product to sell, I spent about $700 to only sell about $80 worth of stuff. Needless to say, that soured me a bit on tabling.

TrunkSpace: What is the craziest/oddest thing you’ve ever been asked to draw as a commission?
Fenoglio: Someone once asked me to draw the human lower intestines. It was for a science, education comic thing.

TrunkSpace: What else can fans of your work look forward to in 2018?
Fenoglio: More “Goosebumps” out early this year and more of my web comic, “Chris and Christina!”

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Trunk Bubbles

Marcelo Ferreira

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Name: Marcelo Ferreira

Website: https://marceloferreira-art.com/

Favorite Comic Book Character Growing Up: Batman

Favorite Comic Book Character Now: Still Batman!

Latest Work: “Back To The Future” (IDW Publishing) – November 2015 to November 2017

TrunkSpace: How would you describe your art style?
Ferreira: I have people telling me that my style is “dynamic” and “full of energy.” I think this is true, since I consciously try to bring a lot of movement into my art.

TrunkSpace: How important were comic books in your life growing up and is that where you discovered your love and inspiration for drawing?
Ferreira: Very important! In fact, the very first thing I read after I got alphabetized was an “Uncle Scrooge” comic book when I was six. And when I started collecting DC comics at the age of eight it never stopped. Around this same age I decided I was going to draw comics for a living when I grew up. Such love was developed for comic book art from reading all those books.

TrunkSpace: Was there a particular artist or title from your childhood that you remember being drawn to and inspired by?
Ferreira: Definitely John Byrne’s run on “Superman” in the mid-to-late 1980s. I remember grabbing those comics and being amazed at the art, and I sat down with every cover and tried to copy it to perfection. I also have to mention Jim Aparo’s “Batman” – also the 80’s run.

TrunkSpace: How did you decide to approach your career in comics? Did you formulate a plan of how you wanted to attack what is known for being a hard industry to crack?
Ferreira: Yeah, I definitely had a plan. Plan A was having an agent. Being from Brazil, here the most common way to break in is to get yourself an agent who will champion your portfolio inside the industry. I tried this formula, but it didn’t work out for me. Then I got to plan B, which was going to one of the biggest conventions, pace the show floor talking to absolutely every editor I could and show them my portfolio until at least one of them liked it! And one of them did at NYCC 2010.

TrunkSpace: What was your biggest break in terms of a job that opened more doors for you?
Ferreira: This is difficult for me to answer. My career so far is made of small steps – independent publisher to IDW Publishing to Dark Horse Comics to now hopefully one of the Big Two. And each step was made possible for some work done for each publisher. Let’s see what I will answer you after I get my first gig at one of the Big Two.

TrunkSpace: A lot of people say that breaking into comics is the hardest part of working in comics. How long did it take you before you started to see your comic book dreams become a reality?
Ferreira: From the time I actually started pursuing it seriously (with plans A and B in mind), it took me four years.

TrunkSpace: Is there a particular character or universe you always find yourself returning to when you’re sketching or doing warm-ups?
Ferreira: Not a specific character, but they are always from either Marvel or DC, for sure.

TrunkSpace: Is there a specific title or character that you’d like to work on in the future and why?
Ferreira: This is a two-step answer. Until I do my first job for Marvel or DC, working on any superhero title from any of the two would be awesome! And after some time in the Big Two environment, the dream would be Batman.

TrunkSpace: What is your ultimate dream when it comes to your career in comics? Where would you like your path to lead?
Ferreira: Being established in a way that getting steady work is pretty easy and a sure thing. If that comes with the ultimate fanboy dream, which is drawing exclusively superheroes for a living, then even better!

TrunkSpace: What would you say is the greatest strength as an artist?
Ferreira: I would say being able to professionally deal with editors, writers, and other fellow artists. This means meeting deadlines, willingly make changes to your work when asked to, being thoughtful to other fellow artists, etc. All the “behind the scenes” stuff that is just as important as drawing well.

TrunkSpace: How has technology changed your process of putting ideas/script to page? Do you sue the classic paper/pencil approach at all anymore?
Ferreira: Oh yes! And I don’t see myself changing anytime soon. What I did do was incorporate the digital into parts of my process, where it actually helps me speed up the whole thing, like making thumbnails (the storyboard thing), or editing work that is finished. And lately I have been experimenting with inking digitally, which has been proving a good experience and useful in a lot of cases. But the core of my process will remain paper/pencils/inks. Plus, I get to sell the originals! (Laughter)

TrunkSpace: What advice would you give another young aspiring artist who is considering a career in the comic industry?
Ferreira: If you already know you have potential to be in the industry, and if you already have put together a strong portfolio, just show it around! Go to the conventions and talk to the right people. Good and qualified work WILL find a place. And if nothing happens too soon, don’t give up. Ever!

TrunkSpace: Making appearances at conventions: Love it, leave it, or a combination of both?
Ferreira: Love it! Love being around fellow artists, the publishers and editors and, of course, the fans.

TrunkSpace: What is the craziest/oddest thing you’ve ever been asked to draw as a commission?
Ferreira: I wish I had a funny answer to that, but I have yet to be asked to draw these odd things.

TrunkSpace: What else can fans of your work look forward to for the rest of 2017 and into the new year?
Ferreira: For the rest of 2017 you can check out the wrapping up of “Back To The Future Vol.1.” I think we still have one or two more issues to go. And for 2018 I will be back to all-ages books for awhile, drawing a “Transformers” graphic novel for IDW. And there is also a new project for another publisher, but can’t talk about it. Sorry!

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