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Wingman Wednesday

Geovanni Gopradi

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Photo By: Michael Roud

Geovanni Gopradi is used to coming to set prepared, but since joining the Tyler Perry series “The Haves and the Have Nots,” the Miami native has had to up his readiness game. Shooting 80 pages of dialogue a day – an incredible workload even by the most productive of standards – the part calls for a combination of memorization and improvisation, a pairing the actor finds liberating.

We recently sat down with Gopradi to discuss discovering his character over an extended period of time, justifying the choices Broderick makes within his fictional life, and why being a cast member on “The Haves and the Have Nots” is such an adrenaline rush.

TrunkSpace: From what we could tell, Broderick is the longest time you have ever spent with one character. What has that long-term discovery process been like for you?
Gopradi: I don’t get all of the episodes ahead of time, and so, I found ways to justify a lot of what the character does and says, continuously. Since we only shoot per season, I create an arc and I create a character, and I justify what he does and he says, and then once I come to the next season, he is doing other stuff, and so I continuously need to be justifying, pushing that arc and discovering more about the character – creating more history on the character as a way that I can connect what he’s saying through other things so that it can all make sense. It’s a continuous creative process that, as an actor, I have to go through in order to make everything cohesive and make sense, and move forward.

TrunkSpace: It almost sounds like you’re creating a painting, only, you’re working on a section of it little by little over the course of a few years.
Gopradi: Well, you have other people also having their input in the same painting, so you have to kind of find your place, and you gotta wait and see and then figure out where your best brushstroke is going to be in this beautiful painting we’re doing together.

TrunkSpace: So, with that being said, do you ever look back at some of your earlier episodes and think, “Maybe I would have done that differently, had I known he was going in this direction?”
Gopradi: I find myself, whenever I come to a fork in the road with a character, as to why he’s doing something – could go this way or that way – I do two things. One, I’ll leave it open so that I can discover later on, and so I can go either way with a choice. Or two, I pick the stronger choice and I pray that that’s the direction we’re going. (Laughter) So those are the two things that I would do. I would either leave it open, show that it could be interpreted either way, or choose the stronger choice. But looking back at it and saying, “I wish I would have done this, had I known that,” kind of puts me in a downfall. What I do instead is, I look back and say, “Okay, he did this, and now he’s doing this. Now I have to figure out a way to justify it.”

TrunkSpace: That’s true, because in a lot of ways, you have to maintain the focus of moving forward, the same way that your character is in life.
Gopradi: Correct. I can’t be looking back and saying, “Oh, well if I would have known…” It’s just, “Well, this is what I have now. Justify it.”

TrunkSpace: So within those choices that you made, either keeping them open or going with the stronger, bolder choice, has this show allowed you to showcase yourself – your skill set – in a way that previous jobs haven’t?
Gopradi: Yes and no. It’s allowed me to showcase a certain type of skill set, because of the speed in which Tyler Perry shoots, which is very, very fast. He shoots an episode a day – about 80 pages of dialogue a day – when usually it takes about three or four days to shoot an episode. Because of that, because of the certain restrictions like we were just talking about having to justify character choices, I get to showcase those type of skills – not having the luxury of having many takes. He shoots so fast, I often only have one take. We’re only going with one option, one take, you’re just continuously living the life of the character almost as if you were on stage. And there’s very, very, very, very little of taking it back and to retake that sentence, or retake that word, unless you really mess up or you fumble or something. But other than that, whatever choice and whatever you do in that moment is going to stick, unless you’re far off in left field and he wants you to do something different and tries to bring you back. It’s really up to the actors to do. And if we fall into a blank from the lines, we improvise. And as long as we’re within the realm of what we’re saying and what we’re doing, he’ll let it go, as long as we keep moving. The trick is to keep moving. So I’m showcasing my ability to stay focused, to stay in character, to my memorization, my improv skills. I’m able to maintain those relationships, know where I’m coming from, where I’m going, create those moments, and those skills I can showcase. But some of the other skills and the other benefits that you get from having multiple takes, from having multiple angles and being able to redo the scene differently every time, and to discover within that scene bolder choices or better choices or different choices, and then having the ability to then, in the editing room, have them choose which one of the choices they want to go with, we don’t have those options here. What we give is what they take. So make it good, make it fast, make it work.

Photo By: Michael Roud

TrunkSpace: So within that speedy process, have you learned anything about yourself and your abilities that you didn’t think you were capable of before?
Gopradi: Oh, definitely! From the first episode, from the very first scene I recorded, it was apparent to me that my experience is what’s really come into play into honing my instincts, because when you’re filming at that speed, and you have that little bit of time, it really comes down to your instincts. It’s what you intuitively do. After having done all the work and the character research and the arc, and having all that pre-work as we do as actors, it really comes down to just trusting your instincts and allowing your intuition to take lead. And trusting it. It’s just like jumping off a plane with a parachute. You’re gonna trust the parachute is gonna open and hope you land safe. (Laughter)

TrunkSpace: And certainly that allows you not to second guess yourself, too, which for a lot of people, sometimes means getting int your own head.
Gopradi: Definitely. It’s liberating, in a way that improv is liberating, where you’re not thinking, you’re just reacting. It’s definitely an adrenaline rush. It’s definitely a high, especially when you are completely and fully connected to your scene partners, and you are focused – you’re in scene. It really is an adrenaline that once the scene is done, you don’t want to come out of it. You just want to keep going. Keep working.

TrunkSpace: Which is great for getting 80 pages done!
Gopradi: (Laughter) Exactly, exactly. A whole episode.

The Haves and the Have Nots” airs Tuesdays on OWN.

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Wingman Wednesday

Antonio J Bell

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Rising star Antonio J Bell is having himself quite a run. Not only has he been appearing in the Oprah Winfrey-produced series “Greenleaf,” but he’s also serving as the lead in the new Spike Lee-executive produced film “Nigerian Prince,” which premiered at TriBeCa Film Festival just a few weeks ago. The dramatic thriller, directed by Faraday Okoro, is the first winner of AT&T’s Untold Stories program, which was created to support underrepresented filmmakers within the industry. (Okoro received a $1 million dollar grant from AT&T to produce the film.)

We recently sat down with Bell to discuss his experience shooting “Nigerian Prince,” how he imagined himself at 17 to tap into the character, and why he’s treating each job as a learning experience.

TrunkSpace: When you’re starring in a film that is executive produced by Spike Lee, is it hard not to imagine that job being a career game changer? And if so, is it still important to tamper expectations in how it will directly impact your career because, at least from an outside perspective, it seems like there are so many factors out of your control in this particular industry?
Bell: Spike Lee is a LEGEND so it was really special to be in a film with his name attached. When I first started acting, I never imagined I would be in a project alongside and executive produced by Oprah Winfrey (“Greenleaf”) or in a feature film executive produced by Spike Lee.

All I can control is my work. I just have to trust God and have faith that everything will work out in the end. As long as I’m continuously making forward progress, I’m good!

TrunkSpace: What did you take from the experience of shooting “Nigerian Prince” that will stay with you for the rest of your life?
Bell: There was a lot of magic that happened behind the scenes. I never traveled outside of the U.S. before this film. For my first feature, as a leading man, to be working in Nigeria was really exciting for me. This film sparked my curiosity. It made me want to discover more about my own identity as an African-American. I want to learn as much as I can about African history and to be able to travel the world. From the shooting experience specifically, I’ve learned to really enjoy the process. Sure, I have to do my job. However, I also need to take everything in around me because films like this come around once in a lifetime.

TrunkSpace: Your character Eze seems like a very complicated guy with many layers that you could spend hours peeling back. From a performance standpoint, how did you approach inhabiting him?
Bell: It was about tapping in to what it was like to be 17 again. I remembered what was important to me at 17 and realized that Eze will be missing out on what he feels will be the most important year of his life – his senior year. He will miss his friends, his crush, and won’t be able to play sports in his final year in high school.

I listened to the music that I grew up on, which really helped recall the emotions that I felt at that age. I spent time doing the things I liked to do back then, like play video games or go to the mall. I was able to spend some time in New York, to get a feel of the places Eze may have grown up and to explore his world.

TrunkSpace: Not only is the film a great story, but how it eventually got made is also really noteworthy. For you, did it feel like you were working on something special when you came on board and began the process of portraying Eze?
Bell: 100 percent! This is the inaugural film for the AT&T Untold Stories initiative. So, I knew it wasn’t only important for us, but equally important for artists everywhere! If this film does well it will open up doors for other filmmakers to get to see their stories financed. I personally want to see more diverse representation in film. I want to see all of the complexities of people in the U.S. displayed in film. Whether they are Latino-American, Asian-American, African-American, Native/Indigenous-American, Indian-American, etc. More of these stories NEED to be told.

TrunkSpace: In addition to working with Spike Lee, as mentioned, you have also worked with Oprah Winfrey on the series “Greenleaf.” Have you been viewing this run of jobs as just as much an education as it is acting, because when you’re working alongside some of the most successful in their field, there must be a desire to absorb knowledge and learn from their experience as well, correct?
Bell: Absolutely! The great thing about “Greenleaf” is that the cast has so much experience. It’s literally a masterclass every day when you get to watch Keith David and Lynn Whitfield work their magic in a scene. Having Merle Dandrige and studying her choices. Having lunch with Lammar Rucker and discussing longevity in this field. I could go on and on, but they are all so passionate about helping the younger actors develop and hone their craft.

TrunkSpace: People would line up for days to work with either Spike Lee or Oprah Winfrey, but who are some names that you’d like to work with in the future and why?
Bell: That’s a long list! I would love to work with Will Smith, Mahershala Ali, Ryan Coogler, Ava Duverney, Sterling K. Brown, Denzel Washington. All of these artists are masters of their craft. I feel like I can learn a lot from them.

TrunkSpace: Your father worked in craft services and you spent a lot of time on sets with him as a kid. How much of that – watching and absorbing – do you think inspired you to pursue acting?
Bell: It was all about seeing myself represented in television and film at that age (8 years old). There was a kid I met on set when my dad was working on “The Parkers.” Christopher Massey, I believe. When I met him – just seeing a kid that looked like me, was the same age as me, being able to talk to him – it really made me believe it was possible even to be an actor. That’s why representation is so important. Kids need examples that they can relate to. That is the only way to really inspire them to take that step.

TrunkSpace: What is the ultimate dream for you? Do you have a “best case scenario” in your mind for how you’d like to see your career play out?
Bell: I just want to tell great stories and inspire the next generation. I want other kids who come from places similar to where I grew up to realize their potential.

TrunkSpace: For the kids who are visiting sets with their own dads and finding inspiration through watching you work, what advice would you give them when it comes to achieving their dreams?
Bell: You can create your own reality. One of my favorite books is “The Alchemist” by Paulo Coehlo. “When you want something, all the universe conspires in helping you to achieve it.” I hope when they see me they believe that their dreams are possible. That’s what I want to represent.

 

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Wingman Wednesday

Lovie Simone

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Photo By: Hallie Liang

Lovie Simone is mature beyond her 18 years. As the star of the family drama “Greenleaf,” which returned to OWN this week with a string of new episodes, the New York City native knows that her experience on the series is just as much an education as it is a job. She is learning and absorbing from her costars, including Lynn Whitfield and Keith David, and applying that acquired knowledge to what she hopes is a long and fruitful future in the industry as both an actress and content creator.

We recently sat down with Simone to discuss the emotional journey her character is set to go through, why it will be so relateable to viewers, and how her on-set life has changed since turning 18.

TrunkSpace: For you as a young actress, what’s it like returning to a series after a hiatus in production?
Simone: It feels different only because now that I know how things work, I’m going in with some knowledge of how things work and what I’m looking forward to doing. It’s fun, though. It’s like I’m working with my family. When I go back it’s like, “I missed all of you so much!”

TrunkSpace: “Greenleaf” was your first big acting job, but outside of the work itself, has it also felt like a classroom where you have been able to learn about the industry and the craft?
Simone: Yes, definitely. Every day there’s something new that I learned and it’s like I’m getting a firsthand tutoring.

TrunkSpace: Have you found yourself getting more and more comfortable in yourself as an actress and in the role of Zora throughout the process?
Simone: 100 percent, because now it’s like I’m growing with this character and I’m getting to know her more. I’m being taught by these great actors and actresses, like Lynn Whitfield and Keith David, who constantly show me with their acting how to do things and how to turn into this other character. It’s fun.

TrunkSpace: Being in film is great, but being on a series and being able to watch and experience your character grow as you do, that has to be an interesting dynamic?
Simone: It is. It’s amazing because you learn to love this character and you learn to love all the gray areas of your character. Right now in the show I’m not really a fan favorite. (Laughter) Nobody is a fan of me right now, but I love my character and I love her flaws and I love how she’s going through things. She’s me now.

TrunkSpace: Without giving away too much, can you tell us where we are going to see Zora go within the overall story this season?
Simone: You’re going to see her go through a lot of obstacles and you’ll see who she is based off of how she reacts to this because it’s going to be an eye opener. You would think something is one way and then when things get tough, she turns into this person that you’ll never even imagine. You gotta kind of see her go through these life events that are going to change everything.

TrunkSpace: But that’s totally a relatable life experience. We all go through rough patches and come out the other side a different person. At least, that’s the hope if you’re willing to grow as a person.
Simone: Yes, I feel like it is very relatable. That’s why I like that the show touches on certain things. We’re touching on homophobia. We’re touching on a lot of scandal. With my character, you’re seeing this strong, feisty teenager that everyone thinks she is, and then you’re going to see her weaknesses and you’re going to see how she’s used to being in a position of power. You’re going to see how everyone can have breakdowns and how she needs her parents and that she can’t be on her own.

TrunkSpace: As you build up for the release of the new season, is there still that same level of excitement for people to see it as there was when you were new to the industry and it was your first working experience?
Simone: Yes, it is, because I’m still relatively new to this business, so I’m still learning and I’m still wide-eyed and my mouth is open, like, “Oh my gosh! What is this? What is that?” I still have questions. I’m still going through that honeymoon phase.

TrunkSpace: (Laughter) That’s a great way to put it.
Simone: (Laughter) Yes. It’s a new love. We’re still going.

TrunkSpace: And what’s cool about your job is that each new project you start working on, there’s an additional honeymoon period because of new characters, new costars, and new experiences.
Simone: Exactly! You keep starting over and over again. It’s like you get a new-found love every time. Never fails.

TrunkSpace: Looking forward, you also have the film “Monster” due out soon, which stars some amazing, accomplished actors, including Jeffrey Wright and Jennifer Hudson. That sounds like another project where you could just sit back and absorb so much knowledge and skill from the people involved?
Simone: Exactly. It was a whole different kind of character so I like being able to go into people’s lives and create them. I’m blessed to work with these great people. I never get tired of it. It’s a blessing to work with such strong actors and such accomplished directors and writers. It’s really interesting and it’s really fun. I’m happy that I’m having fun and also being able to be in that creative space.

TrunkSpace: Does being around creative people inspire your own creativity?
Simone: Yes, because now that I know there are more people out there like me and that there are people who are willing to do everything and risk every single thing, it motivates me. Also seeing it every single day, it triggers this, “I will never settle.”

Photo By: Eli Joshua Adé

I’m constantly challenging myself when I have scenes that I’ve never done, especially now that I’m 18 and working the amount of hours that I’m working. It’s bringing out a whole bunch of new emotions that I’ve never seen before. I’m learning from people who are inspired and creative. It’s pushing my creativity. It’s amazing.

TrunkSpace: That’s an aspect that a lot of people don’t think about. Once you turn 18, it completely opens up how much you can work, right?
Simone: Yes. Now I can work longer hours and I have been working longer hours. (Laughter) I’m like, “Oh gosh, the 17 hour work days are crazy!” But it’s helping me with my work ethic. Now 17 hours is like nothing to me. Also no school on set, which is even more amazing. (Laughter)

It’s a big change. A lot of things are happening. Now I have more responsibility as an actress. I like that.

TrunkSpace: You mentioned how your character in “Greenleaf” was going to be going through some obstacles. What obstacles did you have to go through, especially being so young, when you were trying to break into the industry as an actress?
Simone: I doubted myself a lot because after a while it’s like, “How many no’s am I going to take?” Then it’s not about the no’s. It’s about the resilience. I gotta be like, “Okay, brush off the no’s, learn from them.” It’s kind of hard learning from stuff at such a young age when you’re just so closed-minded and you have this perception of how the world is and then for that to be shattered and for you to try and create that mirror again to see something.

It’s very humbling also. I feel like my mom keeps me grounded. I have a good support system with my family. I don’t have a lot of friends, so the friends that I do have, I’m very close to.

TrunkSpace: It seems like nowadays in the industry, more than ever, actors are diversifying to become content creators and control their own destiny in a way. Is that something that you hope to do in the future?
Simone: I definitely want to start creating my own films because I feel like there’s a lot of stories that need to be told that still aren’t being told. I do want to direct and I do want to cast the people that I want in my movies and my shows because I feel like there’s a problem in Hollywood. That problem is a lack of representation. When there’s a lack of representation, that leaves room for a whole lot of gray areas that people don’t know. I want younger girls that look like me to see themselves in the people that I cast. That’s when you get your sense of identity, from what you see. That’s what i want to do with acting. I want to be in the position to create.

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