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LPX’s Bolt in the Blue

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Artist: LPX

Album: “Bolt in the Blue”

Reason We’re Cranking It: The electro-pop progression of the EP is like a punk rock party with dancing. You’re walking a “Tightrope” at the start and then bowing down to the “Red Queen” by the end.

What The EP Tells Us About Her: The solo project of Ms Mr’s Lizzy Plapinger has legs that stretch beyond the duo’s existing fan base. The eclectic mix of tracks on “Bolt in the Blue” should appeal to listeners who have yet to find themselves already enamored by the London-born singer/songwriter. It’s artistic diversifying at its best.

Track Stuck On Repeat: “Tremble” builds into a fist-pumping anthem, delivering on a chorus that picks you up when you’re down, just as Plapinger reflects in the lyrics of the song.

Coming To A City Near You: Check back for LPX tour dates here.

And that means…

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Musical Mondaze

Flint Eastwood

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Flint Eastwood is Jax Anderson. Jax Anderson is Flint Eastwood.

Regardless of how you categorize her alongside of her music, one thing is for certain – she is a breath of fresh air, one infused with positivity, who connects with her fans through shared experiences and presenting herself as part indie artist and part motivational speaker. Her message is one of community, bridging the gap between those who feel they are struggling with personalized demons and those who bring assurance that the demons visit us all in time. In other words – you are not alone.

We recently sat down with Anderson to discuss how her creativity is fueled by listeners, accessing the things we can all relate to, and why she chooses to perform under the name Flint Eastwood.

TrunkSpace: How do you balance creative expectations and career expectations, and, are they one in the same or two completely different roads you’re traveling on?
Anderson: I think for me, I’ve always had this idea of what I want to do with Flint Eastwood. My whole purpose with this project is just to help people. Creatively and career wise, that’s what I want to do. As long as I’m doing that, I’ll continue with Flint Eastwood and if I feel like I’m not doing that, then I’ll either change the path and follow down something else, or I’ll do something that turns into something totally different. I think for me, creatively and career wise, it’s just the same goal, which is to help people. Everything’s kind of viewed through that lens.

TrunkSpace: Sometimes even when we’re surrounded by people, being human can feel very lonely. Often people will connect with a songwriter in a way that sort of helps them feel like they’re not alone in the world. Does the opposite work for you? Does having an audience connect with your music give you a sense of connection and community?
Anderson: Yeah, for sure. I think what initially drew me to music is just the sense of community that it brings. In every genre, music is just a common thread that kind of transcends any type of difference that you may have with anyone. I think that’s such a beautiful thing, and it’s something that I think is a very rare thing for human beings to experience. I think having a community around what I do is extremely important. I always thought it was awesome being able to follow a band and kind of be able to discover other bands and discover other things that I may like, just because I have that commonality of liking the same band as somebody else, and going to the show and meeting new friends. It’s really cool to be able to go to shows and kind of see repeated faces and see even new faces, and just see things that we have in common and be able to connect on just being human. It’s a really comforting feeling, especially whenever you’re on the road for a while. To be able to end a show and talk with people, and it feel like you’re all a family is a really comforting thing.

TrunkSpace: The most powerful music is always the most honest music, but does putting that much of yourself into something open you up to the sort of snap judgments of the social media age where everyone has a soapbox that they’re ready to stand on?
Anderson: Just me as an artist, I always want to be a beacon of hope and a beacon of positivity, ‘cause I do think that there’s a lot of negativity in the world. I think there are certain artists that it is so vital for them to have their platforms and be really vocal and use their platform for something that they feel like is good. For me, I feel like my soapbox is just positivity.

Yeah, I mean any time you put anything out there in the world, whether you’re going to school to be a teacher or going to school to be an artist, or you’re actually doing things – anytime you do anything that’s other than just sitting at home and being by yourself, you open yourself up to judgment. For me, I just don’t pay attention to that. I have way too much stuff to do and way too much stuff that I want to get done to ever pay attention to people that are being negative. I’m the type of person too that’s like, “Yeah, everybody’s allowed to have their opinions. I am not going to be for everybody, and that’s totally okay.”

TrunkSpace: Where did the inspiration come from to spread positivity through your music?
Anderson: For me, input equals output. If you’re putting positive things into your life, typically things are going to be a little bit more positive for you. Granted, there are different circumstances that people are going into, and things that people can’t really help. Everybody deals with pain or negativity in a different manner, but for me personally, I just feel like I spent so much of my life being sad that I finally just made the decision that I didn’t want to be sad anymore. I just kind of changed my perspective. I mean, it took a really long time – I say it as if it’s easy – but I made an intentional effort to take a look at the people around me and take a look at the things that I was putting into my life, and to base it all around this core value of being a beacon of hope and being a beacon of positivity, and spreading that to people around me and surrounding myself with those kind of people. Hopefully connecting people and helping them with whatever they’re going through because, you know, all of us have shit in life. All of us have gone through stuff and all of us have difficult times and if we can just admit that and admit that we have hard times and things aren’t easy, then it makes things a lot more relatable and it makes things a lot more easier to cope.

For me, I just want to let people know that it’s going to be okay, you know?

TrunkSpace: And that’s a great way to be, particularly in a world where there seems to be so much promotion of negativity. When you hear how your positive messages impact your listeners, does that keep you moving forward on this journey? Does your audience inspire you to continue on the Flint Eastwood path?
Anderson: Definitely. Music has been that for me in so many instances. The times that I was at my darkest, there were different records that just got me through. To be able to create that for other people as well is just something that’s… you hit it right on the head, it’s exactly what keeps me going. Granted I’m not saying that I’m this savior that comes in and changes everyone’s lives and blah, blah, blah, blah… what we were saying before, I’m not going to connect with everybody and not everybody’s going to fuck with what I do, but the people who do feel the things that I have felt and have gone through the things that I’ve gone through, I just want to be able to give that kind of empathy towards them and let them know that they’re not alone and let them know it’s going to be okay.

TrunkSpace: Is there a particular reason that you spread that message as Flint Eastwood and not as Jax Anderson?
Anderson: Yeah, I wanted to give it a feel that it was more than just me. I wanted to give it a feel that it was more of a community and it was more of a group effort, because honestly, yes Flint Eastwood is just me, but there are so many friends and there’s so many people that are involved and behind the scenes and with the creation of everything that it’s crazy. I’m extremely grateful for the people that are around me and I kind of felt saying that it was just Jax Anderson wouldn’t be truthful.

Flint Eastwood’s latest EP, “Broke Royalty,” is available now from Neon Gold Records.

Visit here for tour dates.

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